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Drama Box and the Social Theatre of Singapore
This pioneering study provides an essential guide to the formative years of Drama Box, a leading Chinese-language theatre company in Singapore. How Wee Ng presents a compelling narrative of how Drama Box has emerged as a prominent force in the field of theatre for social intervention, effectively amplifying the voices of marginalised communities and establishing itself as a foremost advocate of cutting-edge, socially oriented artistic practice. Ng’s in-depth analysis of Drama Box’s most influential works during this pivotal period, and his meticulous examination of the social, political, and economic contexts of their productions, illuminate the remarkable balance the company has achieved in its engagement with government policy, censorship, and financial imperatives, while fiercely defending its artistic autonomy. As well as unveiling the remarkable history of Drama Box, the book offers readers a unique lens through which to understand the complex relationship between the arts and state authority, and the broader socio-cultural and political landscape of contemporary Singapore.
Directory
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无时无涯
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Eye on the World
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天微明时我是诗人
《天微明时我是诗人》——新加坡诗人潘正镭的最新诗集，由大家出版社出版。 作者序诗： 我不是一个称职的摄影师 不曾为真切按下真实也不是一个 敏锐记者，修两个辞就叩响时代的声音 我梦想我是我梦想中的主编 为城市刺绣一幅灿亮的图文 我的腰折弯得 如一株疾风中的稻草 在假想人的虚晃下 鸟雀飞去我才生长 果腹的稻谷 我只是稍微左倾 一点右摆。风中飘扬一面咒巾 一面向生活吐展的 旗语 我渴望褪去蓝色衣衫 咀嚼一朵蜜蜂传递给我的 胡姬。让我在 内心筑巢。每一个六角形的窝 岁藏新酿的诗蜜 天微明时我是诗人 ...
Research Handbook on Family Property and the Law
This pivotal Research Handbook analyses the interconnectedness of family property and the law through historical, contemporary, comparative and jurisdiction-specific lenses. Authors analyse some of the most well-known, contested and politicised legal developments in the field of family property law.
Singapore Accountant
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