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In this collection of linked lyrical and narrative essays, experimental translations, and reinterpreted myths, Lina Maria Ferreira Cabeza-Vanegas launches into an exploration of home and identity, family history and belonging, continually examining what it means to feel familiarity but never really feel at home. Don't Come Back intermixes translations of Spanish adages and adaptations of major Colombian myths with personal essays about growing up amidst violence, magic, and an unyielding Andean sun. Home is place and time and people and language and history, and none of these are ever set in stone. Attempting to reconcile the irreconcilable and translate the untranslatable--to move smoothly and cohesively between culture, language, and place--Ferreira Cabeza-Vanegas is torn between spaces, between the aunt who begs her to return to Colombia and the mother who tells her, "There's nothing here for you, Lina. Don't come back." Don't Come Back is an exploration of home and identity that constantly asks, "If you really could go back, would you?"
Fiction. Literary Nonfiction. Latino/Latina Studies. Native American Studies. DROWN/SEVER/SIGN is a collection of short stories based on popular Colombian legend and folk tales, retold, recast and reimagined. The book opens with a brief creative nonfiction essay that explains the conceit of the project, to re-appropriate the monsters of folklore and legend, and take William Blake to heart when he wrote, "Invent your own mythology or be a slave to another man's." What follows is a parade of humanized monsters and monstrous humans. Men with axes and devils with chafed inner thighs. Weeping women dreaming of drowning gods and an eleven year old Cain flirting with girls and inventing murder.
Brian Doyle is the editor of Portland Magazine at the University of Portland, in Oregon. He is the author of nine books of essays, nonfiction, and "proems," and his work has appeared in The Best American Essays collections of 1998, 1999, 2003, and 2005. In Australia his work appears in Eureka Street and The Age. Oddly enough he barracks for Geelong, does he not have enough tension in his life or what?"Strangers pour their stories into Brian Doyles' attentive ear; with a self-effacing craft, and a reverence for what's holy in the every day, he shapes them into poems of bounding energy and surprising moral depth."- Helen Garner.
Following the 2014 Ukrainian revolution, a child of the Ukrainian diaspora challenges her formative ideologies, considers innocence and complicity, and questions the roots of patriotism.
A thought-provoking collection of personal essays about home What makes a home? What do equality, safety, and politics have to do with it? And why is it so important to us to feel like we belong? In this collection, 30 women writers explore the theme in personal essays about neighbors, marriage, kids, sentimental objects, homelessness, domestic violence, solitude, immigration, gentrification, geography, and more. Contributors -- including Amanda Petrusich, Naomi Jackson, Jane Wong, and Jennifer Finney Boylan -- lend a diverse range of voices to this subject that remains at the core of our national conversations. Engaging, insightful, and full of hope, This is the Place will make you laugh, cry, and think hard about home, wherever you may find it. "This collection, encompassing a spectrum of races, ethnicities, religions, sexualities, political beliefs and classes, could not be timelier . . . open this book, hear its chorus of voices and remember that we are a nation of individuals, bound to each other by our humanity." -- The New York Times Book Review " . . . an honest portrait of the U.S., pieced together like an imperfect American quilt. We need more books like this." -- BUST
From the author of Make Your Home Among Strangers, essays on being an “accidental” American—an incisive look at the edges of identity for a woman of color in a society centered on whiteness In this sharp and candid collection of essays, critically acclaimed writer and first-generation American Jennine Capó Crucet explores the condition of finding herself a stranger in the country where she was born. Raised in Miami and the daughter of Cuban refugees, Crucet examines the political and personal contours of American identity and the physical places where those contours find themselves smashed: be it a rodeo town in Nebraska, a university campus in upstate New York, or Disney World in Flo...
The assassin, the executioner, root diggers, well witches. Kathryn Nuernberger brings them all together in Brief Interviews with the Romantic Past, a collection of short essays that blends the historical with the personal, beginning at the court of Louis XV and ending in the foothills of the Ozark Mountains.
"Things puppets can do to us: charm, deceive, captivate, fool, trick, remind, amuse, distract, bore, repulse, annoy, puzzle, transport, provoke, fascinate, stand in for, kill." In You, Me, and the Violence, Catherine Taylor pairs puppetry and drone warfare to create a collage of meditations on family, politics, violence, autonomy, and, ultimately, hope.
A young woman's fiercely vulnerable memoir about seeking cure and speaking truth in the midst of America's mental health crisis.
Reflections on the myriad forms that fear takes and an examination of the ways that love and fear intensify each other.