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Scottish novelist David Lindsay (1876-1945) was born to a middle-class Calvinist family, forced by poverty to work as an insurance clerk instead of attending university, and at the age of forty took up the cause and worked his way to Corporal of the Royal Army Pay Corps in World War I. After the war he moved to Cornwall with his wife and began writing full-time, publishing his first novel, "A Voyage to Arcturus", in 1920. Although the science fiction novel initially sold less than six hundred copies, it has come to be known as a major "underground" novel of the 20th century, and heavily influenced C.S. Lewis's "Out of the Silent Planet". The story is set at Tormance, an imaginary planet orbiting Arcturus, where an adventurous Scot named Muskall has travelled and where he encounters myriad characters and lands that reflect Lindsay's critique of various philosophical systems.
Blake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.
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First published in 1982 this book provides a bibliography of commentary, criticism, and scholarship on the works of William Blake. It covers the period from Northrop Frye’s Fearful Symmetry in 1947 to 1980. The criticism is organised according to eleven classifications in order to help direct the research of students and scholars and each chapter is preceded by an introductory essay in order to guide the reader.
"An invigorating look at the current state of the American church and what might be done to move it forward."--Publishers Weekly The American church faces a discipleship crisis. Instead of following the values of Jesus, many Christians are chasing after what our culture prizes: power, money, and political influence. In Your Jesus Is Too American, Baptist pastor Steve Bezner invites Christians to rediscover what Jesus treasured and incorporate those kingdom values into the church's witness. With a pastoral voice, Bezner shares the lessons he has been teaching in his church community for 11 years--humble service rather than worldly success, healing relationships across religious and ethnic div...
Music in Early Franciscan Thought is an interdisciplinary study exploring the broad relevance of music in Franciscan hagiography, art, theology, philosophy, and preaching between the founding of the Order in 1210 and 1300—a period covering their rapid ascendancy in medieval society as an Order of clerics. The book covers representations of music in visual and literary hagiography, the inspiration of Pope Innocent III, and the formative writings of William of Middleton and David von Augsburg. Later chapters examine the science and practice of music and its relevance to the ministry of preaching through the writings of Robert Grosseteste, Roger Bacon, Bartholomaeus Anglicus, and Juan Gil de Zamora.
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