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Sati, the Blessing and the Curse
Several years ago in Rajasthan, an eighteen-year-old woman was burned on her husband's funeral pyre and thus became sati. Before ascending the pyre, she was expected to deliver both blessings and curses: blessings to guard her family and clan for many generations, and curses to prevent anyone from thwarting her desire to die. Sati also means blessing and curse in a broader sense. To those who revere it, sati symbolizes ultimate loyalty and self-sacrifice. It often figures near the core of a Hindu identity that feels embattled in a modern world. Yet to those who deplore it, sati is a curse, a violation of every woman's womanhood. It is murder mystified, and as such, the symbol of precisely wh...
Sacrificing the Self
Acts of martyrdom have been found in nearly all the worlds major religious traditions. Though considered by devotees to be perhaps the most potent expression of religious faith, dying for ones god is also one of the most difficult concepts for modern observers of religion to understand. This is especially true in the West, where martyrdom has all but disappeared and martyrs in other cultures are often viewed skeptically and dismissed as fanatics. This book seeks to foster a greater understanding of these acts of religious devotion by explaining how martyrdom has historically been viewed in the worlds major religions. It provides the first sustained, cross-cultural examination of this fascina...
Religion and Rajput Women
What is the relationship between caste and gender in the narratives of Rajput woman? During a year and a half of fieldwork in Rajasthan, a parched land dominated by the great Indian Desert, Lindsey Harlan interviewed more than a hundred women from all levels of Rajput society. She wanted to understand why certain religious practices were so important to Rajput women, and how they justified these to themselves. During the course of her interviews, the women described their religious practices—chief among them the worship of the family kuldevi (the goddess who exemplifies the ideal wife by staving off sickness, poverty, and infertility) and the veneration of satimatas (women who have immolat...
Renowned Goddess of Desire
Tantra is a family of rituals modeled on those of the Vedas and their attendant texts and lineages. These rituals typically involve the visualization of a deity, offerings, and the chanting of his or her mantra. Common variations include visualizing the deity in the act of sexual union with a consort, visualizing oneself as the deity, and "transgressive" acts such as token consumption of meat or alcohol. Most notoriously, non-standard or ritualized sex is sometimes practiced. This accounts for Tantra's negative reputation in some quarters and its reception in the West primarily as a collection of sexual practices. Although some today extol Tantra's liberating qualities, the role of women rem...
Contradictory Lives
In this multi-sited ethnographic study, Knight explores the everyday lives of women of the Baul tradition of musical mystics in India and Bangladesh. She demonstrates that Baul women construct a meaningful life as they navigate between conflicting expectations of Bauls to be carefree and of women to be modest.
Raja Nal and the Goddess
"... [T]ells a wonderful story, one much loved in northern India.... fills an important lacuna in the work on oral epic." -- Lindsey Harlan Dhola is an oral epic performed primarily by lower-caste, usually illiterate, men in the Braj region of northern India. The story of Raja Nal, "a king who does not know he is a king," this vast epic portrays a world of complex social relationships involving changing and mistaken identities, goddesses, powerful women, magicians, and humans of many different castes. In this comprehensive study and first extended English translation based on multiple oral versions, Susan Snow Wadley argues that the story explores the nature of humanity while also challenging commonplace assumptions about Hinduism, gender, and caste. She examines the relationship between oral and written texts and the influence of individual performance styles alongside a lyrical translation of the work.
A New Day
The unprecedented resurgence, renewal, and rebirth of twenty-first century Christianity in postcolonial societies, such as Asia, Africa, and Latin America, calls for new insights, methodologies, and paradigms since the West can no longer be regarded as the sole citadel and cradle of the Christian faith. The Christian message has been reshaped and reappropriated in different contexts and cultures and, through this cross-cultural transmission and transformation, it has become a world religion. Contextualizing the Christian faith also entails decolonizing its theology, precepts, and dogma. These efforts continue to engender new initiatives and efforts in the intercultural, interconfessional, intercontinental, and interreligious dimensions of world Christianity. A New Day is a collection of essays in honor of Lamin Sanneh, one of the most adamant advocates and apostles of the radical change in the face of Christianity in the twenty-first century. The essays in this book by recognized scholars deal with issues, themes, and perspectives that are important for understanding Christianity as a world religious movement.
Lines in Water
When asked to distinguish between different faiths, Mughal prince Dara Shikoh is said to have replied, “How do you draw a line in water?” Inspired by this question, the essays in this volume illustrate how ordinary people in South Asia and the diaspora negotiate their religious identities and encounters in creative, complex, and diverse ways. Taking the approach that narratives “from below” provide the richest insight into the dynamics of religious pluralism, the authors examine life histories, oral traditions, cartographic practices, pilgrimage rites, and devotional music and songs. Drawing on both ethnographic and historical data, they illuminate how, like lines in water, religious...
Religions of India in Practice
The inaugural volume of Princeton Readings in Religions brings together the work of thirty scholars of the religions of India in a new anthology designed to reshape the ways in which the religious traditions of India are understood. The book contains translations of forty-five works, most of which have never before been available in a Western language. Many of these highlight types of discourse (especially ritual manuals, folktales, and oral narratives) and voices (vernacular, esoteric, domestic, and female) that have not been sufficiently represented in previous anthologies and standard accounts of Indian religions. The selections are drawn from ancient texts, medieval manuscripts, modern p...
Devī
The monotheistic religions of Judaism, Christianity, and Islam have severely limited the portrayal of the divine as feminine. But in Hinduism "God" very often means "Goddess." This extraordinary collection explores twelve different Hindu goddesses, all of whom are in some way related to Devi, the Great Goddess. They range from the liquid goddess-energy of the River Ganges to the possessing, entrancing heat of Bhagavati and Seranvali. They are local, like Vindhyavasini, and global, like Kali; ancient, like Saranyu, and modern, like "Mother India." The collection combines analysis of texts with intensive fieldwork, allowing the reader to see how goddesses are worshiped in everyday life. In these compelling essays, the divine feminine in Hinduism is revealed as never before--fascinating, contradictory, powerful.
