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The Meanings of J. Robert Oppenheimer
He called the first atomic bomb “technically sweet,” yet as he watched its brilliant light explode over the New Mexico desert in 1945 in advance of the black horrors of Hiroshima and Nagasaki, he also thought of the line from the Hindu epic The Bhagavad Gita: “I am become Death, the destroyer of worlds.” Physicist J. Robert Oppenheimer, the scientific director of the Manhattan Project, the single most recognizable face of the atomic bomb, and a man whose name has become almost synonymous with Cold War American nuclear science, was and still is a conflicted, controversial figure who has come to represent an equally ambivalent technology. The Meanings of J. Robert Oppenheimer examines ...
Travel and Drugs in Twentieth-Century Literature
This book examines the connections between two disparate yet persistently bound thematics -- mobility and intoxication -- and explores their central yet frequently misunderstood role in constructing subjectivity following the 1960s. Emerging from profound mid-twentieth-century changes in how drugs and travel were imagined, the conceptual nexus discussed sheds new light on British and North American responses to sixties counterculture. With readings of Aldous Huxley, William Burroughs, Alex Garland, Hunter S. Thompson, and Robert Sedlack, Banco traces twin arguments, looking at the ways travel is imagined as a disciplinary force acting upon the creative, destabilizing powers of psychedelic in...
Travel and Drugs in Twentieth-Century Literature
This book examines the connections between two disparate yet persistently bound thematics -- mobility and intoxication -- and explores their central yet frequently misunderstood role in constructing subjectivity following the 1960s. Emerging from profound mid-twentieth-century changes in how drugs and travel were imagined, the conceptual nexus discussed sheds new light on British and North American responses to sixties counterculture. With readings of Aldous Huxley, William Burroughs, Alex Garland, Hunter S. Thompson, and Robert Sedlack, Banco traces twin arguments, looking at the ways travel is imagined as a disciplinary force acting upon the creative, destabilizing powers of psychedelic in...
Contested Terrain
"Drawing on a body of literature published between 1945 and 2016, Contested Terrain proposes a more expansive treatment of suburban fiction as a discourse that operates within national and transnational geographies. Wilhite argues that the suburbs and suburban narratives reflect the latest, perhaps final outpost in the tradition of U.S. regionalism. Although he may be accused of simply substituting one outmoded methodology for another, such a critique depends on misreading regionalism as either a sub-literary genre or, as Roberto Dainotto suggests, a pernicious political ideology that opposes modernity and suppresses difference in the naive pursuit of "grounded, rooted, natural, authentic values shared by a true community." In opposition to such withering appraisals, Contested Terrain demonstrates that, as both a literary discourse and a mode of geopolitical analysis, regionalism clarifies the fraught relationship between isolationism and imperialism that has shaped U.S. residential geography and, in turn, helps us rethink the role literary texts play in the postwar project of suburban nation building"--
Aldous Huxley Annual. Volume 12/13 (2012/2013)
Volume 12/13 of the Aldous Huxley Annual begins with a discussion of a lecture Huxley gave in Italian, an appraisal of his never-completed project of a novel on Catherine of Siena, and his recently re-discovered drawings for "Leda." Further critical articles on particular aspects of Huxley's work follow, together with the second Peter Edgerly Firchow Memorial Prize Essay by Hisashi Ozawa of King's College London. A painting by Carolyn Mary Kleefeld ushers in the second part of the book, which contains a selection of papers from the Oxford Symposium held in 2013. (Series: Aldous Huxley Annual - Vol. 12/13) [Subject: Literary Criticism, Art]
After the Program Era
Chapter 12. "My Ghost Life": Russell Banks and the Limits of Aesthetic Democracy - Sean McCann -- Chapter 13. Getting Real: From Mass Modernism to Peripheral Realism - Donal Harris -- Chapter 14. From Modernism to Metamodernism: Quantifying and Theorizing the Stages of the Program Era - Seth Abramson -- Afterword. And Then What? - Mark McGurl -- Contributors -- Index
Literary Ghosts from the Victorians to Modernism
This book resituates the ghost story as a matter of literary hospitality and as part of a vital prehistory of modernism, seeing it not as a quaint neo-gothic ornament, but as a powerful literary response to the technological and psychological disturbances that marked the end of the Victorian era. Linking little-studied authors like M. R. James and May Sinclair to such canonical figures as Dickens, Henry James, Woolf, and Joyce, Thurston argues that the literary ghost should be seen as no mere relic of gothic style but as a portal of discovery, an opening onto the central modernist problem of how to write ‘life itself.’ Ghost stories are split between an ironic, often parodic reference to Gothic style and an evocation of ‘life itself,’ an implicit repudiation of all literary style. Reading the ghost story as both a guest and a host story, this book traces the ghost as a disruptive figure in the ‘hospitable’ space of narrative from Maturin, Poe and Dickens to the fin de siècle, and then on into the twentieth century.
Critical Approaches to American Working-Class Literature
Critical Approaches to American Working-Class Literature is the first anthology to focus on literary criticism of working-class American literature. The literature examined is from the 1850s to the present and includes work in several genres. Several prominent scholars have contributed, and emerging scholars are represented as well.
Contemporary Reconfigurations of American Literary Classics
The number and popularity of novels that have overtly reconfigured aspects of classic American texts suggests a curious trend for both readers and writers, an impulse to retell and reread books that have come to define American culture. This book argues that by revising canonical American literature, contemporary American writers are (re)writing an American myth of origins, creating one that corresponds to the contemporary writer’s understanding of self and society. Informed by cognitive psychology, evolutionary literary criticism, and poststructuralism, Entzminger reads texts by canonical authors Poe, Hawthorne, Melville, Alcott, Twain, Chopin, and Faulkner, and by the contemporary writer...
Poems of the American Empire
Poems of the American Empire argues that careful attention to a particular strain of twentieth-century lyric poetry yields a counter-history of American global power. The period that Phillis covers--from Ezra Pound's A Draft of XXX Cantos in 1930 to Cathy Park Hong's Engine Empire in 2012--roughly matches what some consider the ascent and decline of the American empire. The diverse poems that appear in this book are united by their use of epic forms in the lyric poem, a combination that violates a fundamental framework of both genres' relationship to time. This book makes a groundbreaking intervention by insisting that lyric time is key to understanding the genre. These poems demonstrate the lyric form's ability to represent the totality of history, making American imperial power visible in its fullness. Neither strictly an empty celebration of American exceptionalism nor a catalog of atrocities, Poems of the American Empire allows us to see both.
