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"Glass can be decorative or utilitarian, and its forms often reflect technological innovations and social change. Drawing on an insightful selection from the Yale University Art Gallery and other collections at Yale, American Glass illuminates the vital and often intimate roles that glass has played in the nation's art and culture. Spectacularly illustrated, the publication showcases eighteenth-century mold-blown vessels, nineteenth-century pressed glass, innovative studio work, and luminous stained-glass windows by John La Farge and Louis Comfort Tiffany, the latter reproduced as a lush gatefold. These are considered alongside beguiling objects that broaden our expectations of glass and speak to the centrality of the medium in American life, including one of the oldest complex microscopes in the United States, an early Edison light bulb, glass-plate photography, jewelry, and more. With an essay on the history of collecting American glass and discussions of each object that present new scholarship, this engaging book tells the long and rich history of glass in America--from prehistoric minerals to contemporary sculptures"--Dust jacket front flap.
This book focuses on the aesthetic, symbolic, and cultural concepts of radiance and beauty in stained glass in modern art; global exchanges between stained-glass artists in Europe and the Americas; and the transformation of stained glass from religious decoration to secular material culture. Unique features of the book include its geographic breadth, encompassing England, France, Italy, USA, and Mexico, and its inclusion of American female glassmakers. Essays consider how stained glass became an art form during this time, and show how the narrative for the figurative design drew from the Bible, mythology, history, literature, and the symbolism of the time, including popular culture such as ecology and materiality. Written for students and the general public interested in the humanities, literature, history, art history, and new media and popular culture, this book examines the visual beauty and symbolism of stained-glass windows in Europe and American cultures during the late nineteenth and early twentieth centuries – the modern era.
Edward C. Moore (1827–1891) was the creative leader who brought Tiffany & Co. to unparalleled originality and success during the late nineteenth century. A silversmith, designer, and prodigious collector, Moore sought out exceptional objects from around the world, which he then used as inspiration for Tiffany’s innovative silver designs. This informative, richly illustrated volume, the first study of Moore’s life, collection, and influence, presents more than 170 examples from his vast collection, ranging from Greek and Roman glass to Spanish vases, Islamic metalwork, and Japanese textiles. These are juxtaposed with sixty magnificent silver objects created by the designers and artisans...
Louis Comfort Tiffany (1848-1933) is celebrated today as one of the most influential creative designers of the late 19th- and early 20th-centuries. A New Light on Tiffany: Clara Driscoll and the Tiffany Girls presents the celebrated works of Tiffany Studios in an entirely new context, focusing on the "Tiffany Girls", the 27 women who laboured behind the scenes to create the masterpieces now inextricably linked to the Tiffany name. Recently discovered correspondence written by Ohio-born Clara Driscoll, head of the so-called "Women's Glass Cutting Department" at Tiffany Studios, reveals in convincing and vivid detail how it was in fact Driscoll who generated designs for such masterpieces as the famous Wisteria, Dragonfly and Peony goods. At the heart of the book are over 50 Tiffany lamps, windows, ceramics, enamels and mosaics, supplemented by a wide array of related documents and archival photographs.
Gustave Doré and the Modern Biblical Imagination explores the role of biblical imagery in modernity through the lens of Gustave Doré (1832-83), whose work is among the most reproduced and adapted scriptural imagery in the history of Judeo-Christianity. First published in France in late 1865, Doré's Bible illustrations received widespread critical acclaim among both religious and lay audiences, and the next several decades saw unprecedented dissemination of the images on an international scale. In 1868, the Doré Gallery opened in London, featuring monumental religious paintings that drew 2.5 million visitors over the course of a quarter-century; when the gallery's holdings travelled to th...
This is the story of the 1959 Dodgers, a team that rose above its disastrous first season on the West Coast for an out-of-nowhere World Series title. One of baseball's greatest underdog champions, the '59 Dodgers were a rag-tag team made of long shots salvaged from the minor leagues and over-the-hill ballplayers who reached back for one final triumph. After surviving a thrilling three team pennant race, they met fellow long shots the Chicago White Sox in an underdog World Series. Here, the team's story is recounted in detail, with game-by-game highlights, and set against the cultural backdrop of the civil rights movement, the Cold War, and the rock and roll cultural revolution.
This book provides an intimate picture of international communism in the Stalin era. Focusing on Americans and Spaniards who worked or studied in Moscow and later participated in the Spanish civil war, it uncovers the personal and political ties that linked communists to one another and the Soviet Union.
"In celebration of its centennial, the museum has commissioned new photographs and asked writers of our own time to go public with their private visions of the Gardner Museum. In this book, filled with 180 color plates, their voices are joined with those of Mrs.
Argues that charges of a deliberate Soviet policy of genocide by famine directed against the Ukrainian nation in the early 1930s are based on inflated figures and fabricated evidence. This campaign was initiated by extreme right-wing forces in the USA and Nazi propagandists, and has continued since the 1950s by Ukrainian emigre organizations. Some writers have accused the Jews and "Stalin's Jewish government" of deliberately causing the famine. Ch. 9 (pp. 102-119), "Collaboration and Collusion, " discusses Ukrainian nationalist involvement in pogroms and assistance to the Germans during the Holocaust, particularly the faction led by Stepan Bandera and the Ukrainian Insurgent Army. also describes how ex-members of these groups and of Ukrainian Waffen-SS units were enabled to enter the USA and Canada after the war.
The magnificent, unrivaled history of codes and ciphers -- how they're made, how they're broken, and the many and fascinating roles they've played since the dawn of civilization in war, business, diplomacy, and espionage -- updated with a new chapter on computer cryptography and the Ultra secret. Man has created codes to keep secrets and has broken codes to learn those secrets since the time of the Pharaohs. For 4,000 years, fierce battles have been waged between codemakers and codebreakers, and the story of these battles is civilization's secret history, the hidden account of how wars were won and lost, diplomatic intrigues foiled, business secrets stolen, governments ruined, computers hack...