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Bruno
The impressive story of Canadian police officer in the background of relations with the Russian mafia is debut of the Czech writer living in Canada in the English language. The story includes everything the right thriller should have, especially intensity from beginning to end and an enviable readability. George Burkovec surprised not only excellent, built story, but also an admirable knowledge of the surrounding in which scenes of the story takes place.
The Collector
For only the fourth time in two centuries, the French have allowed the Mona Lisa to leave the Louvre, this time at the request of the pope, who wants to exhibit it in the Vatican Museums. However, once on display, the Museums’ former curator notices a nearly imperceptible discrepancy in the painting, leading to the discovery that it’s a forgery. Faced with the crisis of losing the most valuable painting in the world, the pope turns to Mauro Bruno and his associates, who’d previously performed discrete investigations for the Vatican. As they begin, Bruno and his colleagues try to understand how the world’s most famous painting, which is kept inside an alarmed environmental enclosure f...
Interactions between Animals and Humans in Graeco-Roman Antiquity
The seventeen contributions to this volume, written by leading experts, show that animals and humans in Graeco-Roman antiquity are interconnected on a variety of different levels and that their encounters and interactions often result from their belonging to the same structures, ‘networks’ and communities or at least from finding themselves together in a certain setting, context or environment – wittingly or unwittingly. Papers explore the concrete categories of interaction between animals and humans that can be identified, in what contexts they occur, and what types of evidence can be productively used to examine the concept of interactions. Articles in this volume take into account literary, visual, and other types of evidence. A comprehensive research bibliography is also provided.
Ceramic Art
A new examination of the history of ceramic art, spanning ancient to modern times, emphasizing its traditions, materials, and methods of making Concise but comprehensive, Ceramic Art brings together the voices of art historians, conservators, and artists to tell the history of making art from fired clay. The story spans history and continents, examining the global traditions of ceramists that range from pre-Columbian Peruvian artisans to contemporary African studio potters. The volume shows how human need gave rise to multiple traditions in earthenware, stoneware, porcelain, glaze, and surface decoration from Africa, Asia, Europe, the Middle East, and the Americas. Essays describe the core materials and practice of ceramics, followed by consideration of its production, consumption, and use. Throughout, the focus is on the power of materials and the role conservation plays in the afterlife of a ceramic object. An accessible introduction to an ancient practice, Ceramic Art offers new ways of thinking about the broader forces that have shaped the traditions of the medium.
The Notebook of Dhutmose
In The Notebook of Dhutmose Regina Hölzl, Michael Neumann and Robert Demarée document the surprising discovery and the contents of a papyrus scroll found in an ibis mummy jar in the Kunsthistorisch Museum in Vienna. The twenty-four columns of text constitute a unique notebook of the Scribe Dhutmose who is well-known as the author of administrative documents and a private correspondence. He was active as chief administrator of the institution responsible for the creation of royal tombs in Western Thebes at the end of the Ramesside Period, around 1100 BCE. The texts concern financial accounts relating to the acquisition of copper tools and weapons, but also private affairs like an inventory of his amulets and jewelry and a report about the robbery of his personal belongings.
Conserving Canvas
The most authoritative publication in nearly fifty years on the subject of conserving paintings on canvas. In 2019, Yale University, with the support of the Getty Foundation, held an international conference, where nearly four hundred attendees from more than twenty countries gathered to discuss a vital topic: how best to conserve paintings on canvas. It was the first major symposium on the subject since 1974, when wax-resin and glue-paste lining reigned as the predominant conservation techniques. Over the past fifty years, such methods, which were often destructive to artworks, have become less widely used in favor of more minimalist approaches to intervention. More recent decades have witn...
Digital Arts: Challenges and Opportunities at the Intersections between Arts, Society and Technology
This volume was first published by Inter-Disciplinary Press in 2016. The present volume gathers a selection of texts that attempt to contribute to the critical reflection about digital arts and the social-cultural context in which they arise. However, this book is not a systematic study about digital arts, which thoroughly covers their history or their aesthetic and discursive principles. Instead, the five chapters hereby presented work as a sample of the multiple perspectives and approaches from which is possible to address this topic and to claim fresh insights for its further research. The authors of this volume explore some of the challenges and possibilities offered by the intersections between art, technology and society both for the fields of contemporary art and for the articulation of the social-cultural models of the current ‘Digital Age’. Thus, digital arts are approached here not only as an object of study, but also—implicitly or explicitly—as a tool for analyzing our contemporary reality.
The Materiality of Terracotta Sculpture in Early Modern Europe
Through meticulously researched case studies, this book explores the materiality of terracotta sculpture in early modern Europe. Chapters present a broad geographical perspective showcasing examples of modelling, firing, painting, and gilding of clay in Portugal, Spain, Italy, Germany, and the Netherlands. The volume considers known artworks by celebrated artists, such as Luca della Robbia, Andrea del Verrocchio, Filipe Hodart, or Hans Reichle, in parallel with several lesser-studied terracotta sculptures and tin-glazed earthenware made by anonymous artisans. This book challenges arbitrary distinctions into the fine art and the applied arts, that obscured the image of artistic production in the early modern world. The centrality of clay in the creative processes of artists working with two- and three-dimensional artefacts comes to the fore. The role of terracotta figures in religious practices, as well as processes of material substitutions or mimesis, confirm the medium’s significance for European visual and material culture in general. This book will be of interest to scholars working in art history, Renaissance studies, and material culture.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
