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Her Best Mistake
Maybe other forty year old divorced women were different, but Lisa Dennison was not the kind of woman to climb into bed with every guy she dated. Actually, she should never even have agreed to date younger man, Eric Roberts at all. She was flattered by the attention, but as a person, Eric never really interested her. So how can rationalize sleeping with Eric's Harvard Professor of Archeology twin? What she did with Finn was a mistake--a big mistake--even if it doesn't feel like one.
Six Stories from the End of Representation
Six Stories is a radically new look at the intersection of science and art through “failed” images.
Enhancing Art, Culture, and Design With Technological Integration
As technology becomes an important part of human-computer interaction, improving the various conceptual models and understanding of technological interfaces in design becomes essential. Enhancing Art, Culture, and Design With Technological Integration provides emerging research on the methods and techniques of technology to advance and improve design and art. While highlighting topics such as augmented reality, culture industry, and product development, this publication explores the applications of technology in online creation and learning. This book is an important resource for academics, graphic designers, computer engineers, practitioners, students, and researchers seeking current research on observations in technological advancement for culture and society.
The Museum Establishment and Contemporary Art
This book provides an in-depth account of the protests that shook France in 1968 and which served as a catalyst to a radical reconsideration of artistic practice that has shaped both art and museum exhibitions up to the present. Rebecca DeRoo examines how issues of historical and personal memory, the separation of public and private domains, and the ordinary objects of everyday life emerged as central concerns for museums and for artists, as both struggled to respond to the protests. She argues that the responses of the museums were only partially faithful to the aims of the activist movements. Museums, in fact, often misunderstood and misrepresented the work of artists that was exhibited as a means of addressing these concerns. Analyzing how museums and critics did and did not address the aims of the protests, DeRoo highlights the issues relevant to the politics of the public display of art that have been central to artistic representation, in France as well as in North America.
A History of Dartmouth Bible Church
This history of one local church demonstrates the prayerful determination of its membership over five decades to craft a meaningful place of ministry in a spiritually challenging community which dates to the Mayflower Pilgrims. These members purposed to honor God by growing in their relationship with Him and one another through a balanced focus on worship, discipleship, fellowship, ministry, and evangelism. Throughout these years, ups and downs were plentiful, but Gods faithfulness and His joy were always loved by His servants at Dartmouth Bible Church. This history candidly captures those stories and turns the reader back to the Lord with thanksgiving for His loving presence among His people. Includes several appendices of historical data.
Objects of the Spirit
This unique volume details the art of ritual in Jewish ceremony and how those customs relate to the rise of spirituality in the United States.
The Lure of the Exotic
He believed firmly in his difference, often referring to himself as a "savage," and once he discovered his passion for art he had to create forms that were original and unique. "What does it matter that I set myself apart from other people? For most I shall be an enigina, but for a few I shall be a poet...," he wrote.".
Modern Art in the Common Culture
Hoofdstukken over kunstenaars en kunstuitingen vormen het uitgangspunt van deze Studie over de relatie tussen avant-garde kunst en de massacultuur
The Great Parade
A beautiful book that showcases how circus figures and artifacts have been portrayed in art over the past two centuries The circus is a dazzling world filled with acrobats and harlequins, tumblers and riders, monsters and celestial creatures. Now this engaging book sets that world in a new light, examining how painters, sculptors, and photographers from the eighteenth century to the present have used the circus as a springboard for their imaginative expression and have envisioned the clown as a metaphor for the modern artist. The book presents more than 175 works by such artists as Degas, Toulouse-Lautrec, Rouault, Picasso, Chagall, and Léger. Some of these are masterful works shown for the first time; these range from the 18-meter stage curtain Picasso designed in 1917 for Erik Satie's ballet Parade to more intimate works such as Nadar and Tournachon's photographs of Pierrot as played by celebrated mime Charles Debureau.
