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He’ll be dead unless she can save him.
In a highly accessible mix of narrative and interviews with social science research, Dodson unearths the untold story of a silent movement for justice in contemporary America. Lisa Dodson spent eight years interviewing more than 800 supervisors, teachers and healthcare workers about their experiences interacting with the working poor. She repeatedly heard accounts of people bending the rules to help workers get by. These stories point to a surprising and inspiring phenomenon of the middle class refusing to be complicit in a fundamentally unfair enconomy.
Two groundbreaking sociologists explore the way the American dream is built on the backs of working poor women Many Americans take comfort and convenience for granted. We eat at nice restaurants, order groceries online, and hire nannies to care for kids. Getting Me Cheap is a riveting portrait of the lives of the low-wage workers--primarily women--who make this lifestyle possible. Sociologists Lisa Dodson and Amanda Freeman follow women in the food, health care, home care, and other low-wage industries as they struggle to balance mothering with bad jobs and without public aid. While these women tend to the needs of well-off families, their own children frequently step into premature adult ro...
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Sometimes the protector needs protecting...
Both Hands Tied studies the working poor in the United States, focusing in particular on the relation between welfare and low-wage earnings among working mothers. Grounded in the experience of thirty-three women living in Milwaukee and Racine, Wisconsin, it tells the story of their struggle to balance child care and wage-earning in poorly paying and often state-funded jobs with inflexible schedules—and the moments when these jobs failed them and they turned to the state for additional aid. Jane L. Collins and Victoria Mayer here examine the situations of these women in light of the 1996 national Personal Responsibility and Work Opportunity Reconciliation Act and other like-minded reformsâ€...
A radically new vision of women and girls living below the poverty line; Lisa Dodson makes a frontal assault on conventional attitudes and stereotypes of women in poor America and the seriously misguided "welfare reform" policies of the end of the century. "I hear Odessa, a thirty-two-year-old woman, speak at a forum on welfare reform. I ask her about the phrase she used, 'Don't call me out of name,' for it seemed to speak for a whole nation of people. Odessa tells me that women who have no money and no one to stand up for them get put into a bad position and they get misnamed. Most often they get called 'welfare mothers' or 'recipients,' words she will no longer acknowledge. With millions a...
When Sasha Lambert's debut novel, The Passport Diaries, hits the bookstores it quickly becomes a bestseller. Her ex-boyfriend, and Greek tycoon, Milo Georgopoulos, believes one of the characters in the book sheds a not-so-positive light on his own extracurricular activities. He gives Sasha an ultimatum: Ditch the book or else. Retired football player, Pierce Deveraux thinks he too has been placed between the pages of The Passport Diaries. Determined to make Sasha pay for putting a ding in his knight-in-shining-armor image, Pierce contemplates how best to even the score. Suddenly strange things start happening wherever Sasha goes. Even her twin sister, Dr. Sienna Lambert-Deveraux worries for her safety. With an adoring assistant, an ambitious publicist, and jealous ex-lover vying for her attention, Sasha soon finds herself at the center of dangerous tug-of-war.
The social welfare state has come under increasing pressure, raising serious doubts about its survival. This book represents an interdisciplinary, multimethodological and multicultural feminist approach ...
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.