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Diet SOS
At her heaviest, Lisa Fitzpatrick was a size 20, and weighed 15 stone. She was unhappy, but hid her body and discomfort behind layers of clothes, carefully styled hair, impeccable make up and distracting shoes. However, after the birth of her first child, she realised that enough was enough - years of making unhealthy choices had taken their toll, and she was ready to change. Diet SOS chronicles Lisa's experiences of weight loss with refreshing honesty and clarity. She doesn't promise a quick fix or an easy solution. Instead, she asks her readers to stop looking for excuses and start taking responsibility for their own bodies. With advice on foods to avoid, delicious recipes that helped with her own weight loss and an emphasis on realistic lifestyle change, positive thinking and listening to your body, Lisa shows that, if she can do it, you, too, can have the body you want.
The Making of Avatar
The story of James Cameron and his crew's journey from "Avatar's" conception to the vast production effort is examined in the first authoritative and official record in words and pictures from the most significant film of today.
Rape on the Contemporary Stage
This book investigates the representation of rape in British and Irish theatre since the second wave of the Women’s Movement. Mainly focusing on the period from the 1990s to the present, it identifies key feminist debates on rape and gender, and introduces a set of ideas about the function of rape as a form of embodied, gendered violence to the analysis of dramaturgical and performance strategies used in a range of important and/or controversial works. The chapters explore the dramatic representation of consent; feminist performance strategies that interrogate common attitudes to rape and rape survivors; the use of rape as an allegory for political oppression; the relationships of vulnerability, eroticism and affect in the understanding and representation of sexual violence; and recent work that engages with anti-rape activism to present women’s personal experiences on stage.
Plays by Women in Ireland (1926-33): Feminist Theatres of Freedom and Resistance
This anthology provides access to neglected theatrical work and broadens our understanding of the history of Irish theatre as well as the vital role of women within it. The introduction places these plays in dialogue with one another as well as within the national context of the repealing of women's rights during the Irish Free State years. These are plays by authors including Mary Manning, Dorothy Macardle, Mary Devenport O'Neill, Kate O'Brien and Margaret O'Leary, which are difficult to access, but which are increasingly visible in Irish theatre scholarship. This unique collection places the playwrights in dialogue to form a tradition of women's theatrical work that challenges the male-dominated literary canon of Irish theatre, as well as enriching the body of women's theatrical work in the Anglophone world during the interwar years. Includes the plays: Kate O'Brien – Distinguished Villa (1926) Margaret O'Leary – The Woman (1929) Mary Manning – Youth's the Season (1931) Dorothy Macardle – Witch's Brew (1931) Mary Devenport O'Neill – Bluebeard (1933)
The Golden Thread
This two-volume edited collection covers three hundred years of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Volume Two looks at the period from 1992 to 2016, exploring women's experiences at the intersections of class, sexuality, disability and ethnicity.
Dangerous Lies
After witnessing a murder, high school senior Stella Gordon is sent to Nebraska for her own safety where she chafes at her protection, but when she meets Chet Falconer it becomes harder for her to keep her guard up, and soon she has to deal with the real threat to her life as her enemies are actually closer than she thinks.
Performing Feminisms
A valuable, provoking, important addition to any theatre scholar or practitioner's library, especially since feminist theory is a relative newcomer to the world of theatre.
What the Animals Tell Me
If you could talk to your pet, what would it say to you? How do animals communicate with people? And what’s the best way for people to communicate with animals? In the pages of this insightful book, renowned pet psychic Sonya Fitpatrick teaches readers about the secrets of the animal world and how to learn the telepathic language of animals. Dogs, cats, reptiles, horses and wild animals of kinds have a story to tell. Animals have special ways of communicating, which is unfortunately often misunderstood by pet owners, leading to behavioral problems and a disconnect in what might otherwise be an inspiring and loving relationship between pet and pet owner. Through the discussion of her own te...
Fifty Key Irish Plays
Fifty Key Irish Plays charts the progression of modern Irish drama from Dion Boucicault’s entry on to the global stage of the Irish diaspora to the contemporary dramas created by the experiences of the New Irish. Each chapter provides a brief plot outline along with informed analysis and, alert to the cultural and critical context of each play, an account of the key roles that they played in the developing story of Irish drama. While the core of the collection is based on the critical canon, including work by J. M. Synge, Lady Gregory, Teresa Deevy, and Brian Friel, plays such as Tom Mac Intyre’s The Great Hunger and ANU Productions’ Laundry, which illuminate routes away from the mainstream, are also included. With a focus on the development of form as well as theme, the collection guides the reader to an informed overview of Irish theatre via succinct and insightful essays by an international team of academics. This invaluable collection will be of particular interest to undergraduate students of theatre and performance studies and to lay readers looking to expand their appreciation of Irish drama.
Irish Theatre
This book on modern and contemporary Irish theatre traces how social, cultural and economic capital are circulated in order to demonstrate complex and often contradictory outlooks on equality/inequality. Individual chapters analyse property ownership and inheritance; wealth acquisition; employment conditions; educational access; intercultural encounters; sexual intimacy and violation; and acts of resistance, protest and solidarity. This book addresses complex intergenerational, intercultural, racial, sectarian, ethnic, gender and inter- and intraclass dynamics from the perspective of ranked, objectifying, exploitative and coercive relationships but also in terms of commonalities, complicities, reciprocations and retaliations. Notable are the significances of wealth precarity and shaming; the consequences of anti-materialistic dramaturgical leanings; the pathologising of success; the fraught nature of solidarity; and the problematics of merit, divisive partitioning and muddled mésalliances. Ultimately the book wonders about how Irish theatre distinguishes between tolerable and intolerable inequalities that are culturally and socially but principally economically derived.
