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Meet the women writers who defied convention to craft some of literature’s strangest tales, from Frankenstein to The Haunting of Hill House and beyond. Frankenstein was just the beginning: horror stories and other weird fiction wouldn’t exist without the women who created it. From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction. Everyone knows about Mary Shelley, creator of Frankenstein, who was rumored to keep her late husband’s heart in her desk drawer. But have you heard of Margaret “Mad Madge” Cavendish, who wrote a science-fi...
The popularity of such widely known works as "The Lottery" and The Haunting of Hill House has tended to obscure the extent of Shirley Jackson's literary output, which includes six novels, a prodigious number of short stories, and two volumes of domestic sketches. Organized around the themes of influence and intertextuality, this collection places Jackson firmly within the literary cohort of the 1950s. The contributors investigate the work that informed her own fiction and discuss how Jackson inspired writers of literature and film. The collection begins with essays that tease out what Jackson's writing owes to the weird tale, detective fiction, the supernatural tradition, and folklore, among other influences. The focus then shifts to Jackson's place in American literature and the impact of her work on women's writing, campus literature, and the graphic novelist Alison Bechdel. The final two essays examine adaptations of The Haunting of Hill House and Jackson's influence on contemporary American horror cinema. Taken together, the essays offer convincing evidence that half a century following her death, readers and writers alike are still finding value in Jackson’s words.
In a career spanning almost 50 years, Lisa Tuttle has proven herself a master of the weird tale, and now this new collection of twelve unsettling stories - some never previously collected - offers readers a chance to discover some of her finest work. In 'Replacements', a woman adopts a monstrous pet, with unforeseen consequences. In 'Born Dead', a stillborn child mysteriously continues to grow just like a living one. 'My Pathology' (whose ending Thomas Tessier has cited as one of the best in the history of horror) explores the sinister results of a couple's alchemical experiments. And a book lover in 'The Book That Finds You' has her life changed in strange ways by the discovery of a rare horror book at a second-hand bookshop. In these weird and chilling tales, Tuttle is at her diabolical best. This edition features an introduction by Lisa Kröger, and each story is specially introduced by the author.
"Manfrone; or, The One-Handed Monk" (1809) opens with one of the most unforgettable scenes in all of Gothic literature when a lascivious monk enters the lovely Rosalina's room in an attempt to rape her, but suffers the gruesome severing of his hand when he is caught in the act. Yet other dangers await Rosalina: her father, the haughty Duca di Rodolpho is determined to marry her to the cruel Prince di Manfrone and imprisons her true love, Montalto, in the dungeons of his castle. And then there is the mysterious monk Grimaldi, who seems to be an ally of the Duca. What are his inscrutable plans, and is he trying to aid Rosalina or destroy her? One of the most popular of Gothic novels, "Manfrone" went through numerous editions during the 19th century and was often erroneously attributed to Ann Radcliffe. This edition includes an essay by Dale Townshend exploring the authorship of the novel as well as explanatory notes.
The screenwriter and producer behind Stephen King’s It shares a hilarious, tongue-in-cheek survival guide that celebrates iconic horror movies both past and present! THE PERFECT GIFT FOR HORROR MOVIE LOVERS: Features spooky illustrations, a list of 100 must-see horror films, and an introduction by Nightmare on Elm Street’s Wes Craven. Are you reading this in a cornfield, at a summer camp, or in an abandoned mental institution? Have you noticed that everything is poorly lit, or that music surges every time you open a door? If the answer is yes, you’re probably trapped in a horror movie. But don’t freak out—just read this book! With it you will learn how to overcome every obstacle fo...
This book will provide the first study of how the Gothic engages with ecocritical ideas. Ecocriticism has frequently explored images of environmental catastrophe, the wilderness, the idea of home, constructions of 'nature', and images of the post-apocalypse – images which are also central to a certain type of Gothic literature. By exploring the relationship between the ecocritical aspects of the Gothic and the Gothic elements of the ecocritical, this book provides a new way of looking at both the Gothic and ecocriticism. Writers discussed include Ann Radcliffe, Mary Shelley, Ambrose Bierce, Algernon Blackwood, Margaret Atwood, Cormac McCarthy, Dan Simmons and Rana Dasgupta. The volume thus explores writing and film across various national contexts including Britain, America and Canada, as well as giving due consideration to how such issues might be discussed within a global context.
Global Perspectives on Eco-Aesthetics and Eco-Ethics: A Green Critique focuses on the interface of the Anthropocene, sustainability, ecological aesthetics, multispecies relationality, and the environment as reflected in literature and culture. This book examines how writers have addressed ecological crises and environmental challenges that transcend national, cultural, political, social, and linguistic borders. It demonstrates how, as the environmental humanities developed and emerged as a critical discipline, it generated a diverse range of interdisciplinary fields of study such as ecographics, ecodesign, ecocinema, ecotheology, ecofeminism, ethnobotany, ecolinguistics, and bioregionalism, and formed valuable, interdisciplinary networks of critique and advocacy—and its contemporary expansion is exceptionally salient to social, political, and public issues today.
The Politics of Horror features contributions from scholars in a variety of fields—political science, English, communication studies, and others—that explore the connections between horror and politics. How might resources drawn from the study of politics inform our readings of, and conversations about, horror? In what ways might horror provide a useful lens through which to consider enduring questions in politics and political thought? And what insights might be drawn from horror as we consider contemporary political issues? In turning to horror, the contributors to this volume offer fresh provocations to inform a broad range of discussions of politics.
This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertai...
This collection of eighteen short tales, a novelette and a short novel takes the reader inside the dark imagination of Elizabeth Engstrom, author of acclaimed horror classics like When Darkness Loves Us. In these stories, you will read about a woman asked to be complicit in her own mother's death, a grandmother with a macabre hobby, a bizarre, phallic-shaped flower that portends evil for a married couple, a father whose son is caught up in a sinister government experiment. These are weird and unsettling tales that will linger with the reader. In her introduction to this new edition, Lisa Kröger writes, "There are true horrors that await readers in all of Engstrom's works ... reminds me of another giant of horror literature, Shirley Jackson."