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Feminism and Its Fictions
During the 1970s, thousands of American women met regularly in small groups to talk about the injustices they experienced in their private lives and how those personal injustices related to the broad-based political oppression of women. They called this cultural work "consciousness raising." Women's and feminist fiction of the 1970s was dominated by a new kind of novel whose content and form were shaped by the practice of consciousness-raising. Lisa Maria Hogeland contends that consciousness-raising novels both reflected and furthered the Women's Liberation Movement's analyses of sexuality, gender, race, and political responsibility and that through their narrative structure the novels actually engaged in consciousness-raising with their readers. Using a broad range of fiction—including works by Erica Jong, Marilyn French, Marge Piercy, Alix Kates Shulman, Alison Lurie, Joanna Russ, and Joan Didion—Hogeland explores the ways in which consciousness-raising novels addressed some of the most important questions raised by second-wave feminism.
Making Sense of Women's Lives
Making Sense of Women's Lives presents a wide range of writings about women's lives in the United States. Michele Plott and Lauri Umansky have drawn on their experiences as both students and professors to assemble the collection. Seeking to provide as full a sampling from a diverse and intellectually vibrant field as one volume permits, the editors have also chosen writing that makes an enjoyable read. A few of the selections here represent the undisputed 'classics' of the field. More of them constitute simply the works, drawn from academic and nonacademic sources alike, that could make a difference in understanding what it means to be female in America. Making Sense of Women's Lives is inte...
The Aunt Lute Anthology of U.S. Women Writers
Cultural Writing. Poetry. Fiction. Drama. Essay. A comprehensive collection of twentieth-century US women's writing, this volume contains works by over two hundred women writing in a variety of genres. Works include not only fiction, drama, and poetry, but various nonfiction forms (auto-biography, movement writing, journalism, essay) as well as other creative forms (operal libretto, spoken word, song lyric). Edited by Lisa Maria Hogeland and Shay Brawn.The volume includes a preface, headnotes, annotations, and author/title index.
The Aunt Lute Anthology of U.S. Women Writers: 17th through 19th centuries
Volume One: 17th through 19th Centuries -- Volume Two: The 20th Century.
An Edge of History
None
Growing Up a Woman
This book explores contemporary transformations of the female Bildungsroman, showing that the intersection of the genre and gender brought to critical attention in the context of second wave feminism remains of equal importance in the era of postfeminism. The female Bildung narrative has acquired an important position in twentieth – and twenty-first century literature through its continuing depiction of female self-discovery and emancipation as a process of negotiating the traditional divisions of female and male roles in relation to the private and public spaces. Recognizing the seminal contribution of feminist criticism to the definition of the genre and the role of feminist cultural pro...
Feminist Coalitions
A fresh new look at the productive partnerships forged among second-wave feminists
The History of British Women's Writing, 1970-Present
This book maps the most active and vibrant period in the history of British women's writing. Examining changes and continuities in fiction, poetry, drama, and journalism, as well as women's engagement with a range of literary and popular genres, the essays in this volume highlight the range and diversity of women's writing since 1970.
Him/Her/Self
Peter Filene's path breaking study did both.--Elaine Tyler May, from the Foreword
