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The Woman Who Turned Into a Jaguar, and Other Narratives of Native Women in Archives of Colonial Mexico
This book is an ambitious and wide-ranging social and cultural history of gender relations among indigenous peoples of New Spain, from the Spanish conquest through the first half of the eighteenth century. In this expansive account, Lisa Sousa focuses on four native groups in highland Mexico—the Nahua, Mixtec, Zapotec, and Mixe—and traces cross-cultural similarities and differences in the roles and status attributed to women in prehispanic and colonial Mesoamerica. Sousa intricately renders the full complexity of women's life experiences in the household and community, from the significance of their names, age, and social standing, to their identities, ethnicities, family, dress, work, r...
Women's Lives in Colonial Quito
What did it mean to be a woman in colonial Spanish America? Given the many advances in women's rights since the nineteenth century, we might assume that colonial women had few rights and were fully subordinated to male authority in the family and in society—but we'd be wrong. In this provocative study, Kimberly Gauderman undermines the long-accepted patriarchal model of colonial society by uncovering the active participation of indigenous, mestiza, and Spanish women of all social classes in many aspects of civil life in seventeenth-century Quito. Gauderman draws on records of criminal and civil proceedings, notarial records, and city council records to reveal women's use of legal and extra...
Mesoamerican Voices
A 2006 collection of indigenous-language writings from central Mexico and Guatemala, written during the colonial period.
Angels, Demons and the New World
This volume depicts the intricate cultural, religious and intellectual kaleidoscope of interactions between angels, demons and the heterogeneous populations of Spanish America including New Spain (Mexico), New Granada (Colombia) and Peru. Essential reading for students of religion, anthropology of religion, history of ideas, Latin American colonial history and church history.
Traitor, Survivor, Icon
The first major visual and cultural exploration of the legacy of La Malinche, simultaneously reviled as a traitor to her people and hailed as the mother of Mexico An enslaved Indigenous girl who became Hernán Cortés's interpreter and cultural translator, Malinche stood at center stage in one of the most significant events of modern history. Linguistically gifted, she played a key role in the transactions, negotiations, and conflicts between the Spanish and the Indigenous populations of Mexico that shaped the course of global politics for centuries to come. As mother to Cortés's firstborn son, she became the symbolic progenitor of a modern Mexican nation and a heroine to Chicana and Mexica...
Weaving the Past
Weaving the Past is the first comprehensive history of Latin America's indigenous women. While concentrating mainly on native women in Mesoamerica and the Andes, it also covers indigenous peoples in a variety of areas of South and Central America. Drawing on primary and secondary sources, it argues that change, not continuity, has been the norm for indigenous peoples whose resilience in the face of complex and long-term patterns of cultural change is due in no small part to the roles, actions, and agency of women.
Cacicas
The term cacica was a Spanish linguistic invention, the female counterpart to caciques, the Arawak word for male indigenous leaders in Spanish America. But the term’s meaning was adapted and manipulated by natives, creating a new social stratum where it previously may not have existed. This book explores that transformation, a conscious construction and reshaping of identity from within. Cacicas feature far and wide in the history of Spanish America, as female governors and tribute collectors and as relatives of ruling caciques—or their destitute widows. They played a crucial role in the establishment and success of Spanish rule, but were also instrumental in colonial natives’ resistan...
Birds and Feathers in the Ancient and Colonial Mesoamerican World
This issue reconstructs the integrated roles of real and symbolic birds and their feathers in ancient and colonial Mesoamerican and trans-Atlantic societies. The contributors--who include biologists, historians, and art historians--combine ethnohistoric methodologies with the physical sciences to analyze pictorial and native-language sources, archival documents, chronicles, feather artworks, and specimens in natural history collections. Contributors explore the semiotics of feathers, highly valued as part of local and imperial economies, in ritual regalia and featherworks. The issue also sheds light on how the shipment of indigenous featherworks and actual birds--both living and stuffed--brought American birds and indigenous knowledge of them into contact with Europe. By foregrounding indigenous knowledge and value systems, the contributors reexamine the significance of birds and feathers in constructions of the natural world, philosophy and religion, society and economics, and artistic practice. Contributors: Allison Caplan, Martha Few, León García Garagarza, James Maley, John McCormack, Iris Montero Sobrevilla, Lisa Sousa
Nahuatl Theater: Our Lady of Guadalupe
The foundation legend of the Mexican devotion to Our Lady of Guadalupe is one of the most appealing and beloved of all religious stories. In this volume, editors Barry D. Sell, Louise M. Burkhart, and Stafford Poole present the only known colonial Nahuatl-language dramas based on the Virgin of Guadalupe story: the Dialogue of the Apparition of the Virgin Saint Mary of Guadalupe, an anonymous work from the late seventeenth or early eighteenth century, and The Mexican Portent, authored by creole priest Joseph Pérez de la Fuente in the early eighteenth century. The plays, never before published in English translation, are vital works in the history of the Guadalupe devotion, for they show how her story was presented to native people at a time when it was not universally known. Faithful transcriptions and translations of the plays are accompanied here by introductory essays by Poole and Burkhart and by three additional previously unpublished Guadalupan texts in Nahuatl. This volume is the second in a four-volume series titled Nahuatl Theater, edited by Sell and Burkhart.
Codex Sierra
One of the earliest texts written in a Native American language, the Codex Sierra is a sixteenth-century book of accounts from Santa Catalina Texupan, a community in the Mixteca region of the modern state of Oaxaca. Kevin Terraciano’s transcription and translation, the first in more than a half century, combine with his deeply informed analysis to make this the most accurate, complete, and comprehensive English-language edition of this rare manuscript. The sixty-two-page manuscript, organized in parallel columns of Nahuatl alphabetic writing and hand-painted images, documents the expenditures and income of Texupan from 1550 to 1564. With the alphabetic column as a Rosetta stone for deciphe...
