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The Grammar of Lithography
First edition published 1878. "Undoubtedly the most importanttextbook of this half-century was Richmond's Grammar which found its first readership amongst the subscribers to a lithographic trade periodical and, after republication in book form, remained in print virtually unaltered as the standard "trade" manual for the next 30 years. Richmond acknowledged the help of four luminaries of the old school, Louis Haghe, Michael Hanhart, William Simpson and Harry Sandars (i.e. W. J. Stannard), and they no doubt helped him to achieve a balanced coverage of traditional and modern workshop approaches as well as enhancing the work's authority." -Bridson/Wakeman p. 129 and D67. Bigmore & Wyman: "Up to the date of the publication of the first edition of this work there had been no hand-book in the English language of the art of lithography that was of any practical use except the English translation of the work of Senefelder himself and the translation by Hullmandel, of the work of M. Raucourt." (II, pp. 256-7) (Charles Wood 160/96).
Every Man His Own Printer; Or, Lithography Made Easy
This is the second edition. "An admirably useful illustrated text on the elements of lithographic drawing, writing, transferring, engraving and printing for the inexperienced user." -Bridson/Wakeman D51. Bigmore and Wyman state that the Autographic Press was a roller or cylinder press adapted to lithography; it was originally invented by M. Poirier of Paris, from whom the patent was purchased by Messrs Waterlow Sons. (BW, I, p. 207). The work was popular and went through three editions. The plates, which are quite handsome, serve as exemplars and include hand writing, writing upon transfer paper, music, pen and ink drawing upon transfer paper, ditto upon stone, chalk drawing upon stone, chalk drawing with tint, and engraving on stone.9 litho plates which were printed on the Autographic Press.(Charles Wood, cat. 167, # 161).
Lithography
Learn the versatile art of lithography and explore its expressive potential This practical book explains how to create and print your own lithographs. With clear step-by-step sequences, it explains the full process that depends fundamentally on water not mixing with grease. It includes new methods and ideas in an up-to-date practical guide that covers everything from studio set-up through to mixing inks for edition printing, and then explains alternative techniques such as Lo-shu washes, negative drawing, transfers and Manière Noire. This book is an invaluable reference as you explore the beautiful and expressive potential of one of the oldest printmaking techniques. The processes – stone lithography, ball-grained plates (aluminium and zincography) and photoplates Inks and paper – edition printing, multiple transfer techniques and alternative drawing materials Recipes – quick reference guide and reminder for mixing etches, processing chemicals, mixing tusche and making drawing materials
Practical Text Book of Lithography
Hardcover reprint of the original 1912 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Browne, Warren Crittenden. Practical Text Book Of Lithography: A Modern Treatise On The Art Of Printing From Stone. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Browne, Warren Crittenden. Practical Text Book Of Lithography: A Modern Treatise On The Art Of Printing From Stone, . New York: National Lithographer, 1912. Subject: Lithography
