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There was once a farm where all the animals were friends. Together they looked after the farm and each other. It wasn’t perfect and they didn’t always agree (animals almost never do). But the Geese have hatched a plan to leave the farm . . . will life be perfect for them now? A powerful modern-day fable for our times told with humor, warmth, and most importantly, hope. A story of building bridges, not barriers, respect, not resentment, and of finding friendship, not fear.
To double-track is to be both: counter-cultural and establishment, rich and poor, a bum with the keys to a country retreat, an exotic addition to the dinner table who still knows how to find their way around the silverware. In the 1970s Tom Wolfe located the apex of doubletracking as the art world, but today, it's a cornerstone of the middle classes, and a full-blown commonplace of contemporary life. At root, it's a state of mind born of an ambivalent relationship to privilege, that, when perfected, allows those with financial resources the economic benefits of leaning right, and the cultural benefits of leaning left. It curls around the vocal chords of private school alumni as they drop their consonants, sprays the can of legally sanctioned graffiti on the side of the pop-up container shopping mall, and tones the cores of sweaty executives attending weekly parkour classes, prancing about the concrete furniture of housing estates they do not live on. Comprising essays, fiction and art criticism, this is a merciless, witty satire of the middle classes - a venturesome, intelligent debut which cuts to the very core of our duplicitous lives.
In Curbing Traffic: The Human Case for Fewer Cars in Our Lives, mobility experts Melissa and Chris Bruntlett chronicle their experience living in the Netherlands and the benefits that result from treating cars as visitors rather than owners of the road. They weave their personal story with research and interviews with experts and Delft locals to help readers share the experience of living in a city designed for people. Their insights will help decision makers and advocates to better understand and communicate the human impacts of low-car cities: lower anxiety and stress, increased independence, social autonomy, inclusion, and improved mental and physical wellbeing. Curbing Traffic provides relatable, emotional, and personal reasons why it matters and inspiration for exporting the low-car city.
Much of what you’ve heard about plastic pollution may be wrong. Instead of a great island of trash, the infamous Great Pacific Garbage Patch is made up of manmade debris spread over hundreds of miles of sea—more like a soup than a floating garbage dump. Recycling is more complicated than we were taught: less than nine percent of the plastic we create is reused, and the majority ends up in the ocean. And plastic pollution isn’t confined to the open ocean: it’s in much of the air we breathe and the food we eat. In Thicker Than Water: The Quest for Solutions to the Plastic Crisis, journalist Erica Cirino brings readers on a globe-hopping journey to meet the scientists and activists tell...
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Lee Johnson was a man with simple dreams. All he wanted was a steady job and a nice home for his wife and children, something better than the hard life he knew growing up. He never imagined that he would become the face of a David-and-Goliath showdown against one of the world’s most powerful corporate giants. But a workplace accident left Lee doused in a toxic chemical and facing a deadly cancer that turned his life upside down. In 2018, the world watched as Lee was thrust to the forefront of one the most dramatic legal battles in recent history. The Monsanto Papers is the inside story of Lee Johnson’s landmark lawsuit against Monsanto. For Lee, the case was a race against the clock, wit...
We cannot understand the phenomenon of remembering without invoking its opposite, forgetting. Taking his cue from Beckett - 'only he who forgets remembers' - Josipovici uncovers a profound cultural shift from societies that celebrated ritual remembrance at fixed times and places, to our own Western world where the lack of such mechanisms leads to a fear of forgetting, to what Nietzsche diagnosed as an unhealthy sleeplessness that infects every aspect of our culture. Moving from the fear of Alzheimer's to invocations of 'Remember the Holocaust' and 'Remember Kosovo' by unscrupulous demagogues, from the burial rituals of rural societies to the Berlin and Vienna Holocaust Memorials, from eighteenth-century disquiet about the role of tombs and inscriptions to the late poems of Wallace Stevens, Josipovici has produced, in characteristic style, a small book with a very big punch. Gabriel Josipovici's novel The Cemetery in Barnes (2018) was shortlisted for the 2018 Goldsmiths Prize and longlisted for the 2019 Republic of Consciousness Prize.
It starts when Claudia offers her a yellow rose. Immy has been in love before - many times, across many lifetimes. But never as deeply, as intensely as this. Claudia has never been in love this before either. But then, this is her first time with a vampire. The forbidden thirst for blood runs deep in Immy. And within her mind clamour the voices, of all the others she has been, their desires, and their wrongs.
Fiction. A bestseller in New Zealand and winner of the prestigious Commonwealth Prize, Sia Figiel's debut marks the first time a novel by a Samoan woman has been published in the United States. Figiel uses the traditional Samoan storytelling form of su'ifefiloi to talk back to Western anthropological studies on Samoan women and culture. Told in a series of linked episodes, this powerful and highly original narrative follows thirteen-year-old Alofa Filiga as she navigates the mores and restrictions of her village and comes to terms with her own search for identity. A story of Samoan PUBERTY BLUES, in which Gauguin is dead but Elvis lives on -- Vogue Australia. A storytelling triumph -- Elle Australia.
By turns surreal, political, folkloric, and domestic, Shortening the Candle's Wick is a window into the imaginative world of a poetic relationship. For more than 40 years, husband and wife Andres Ehin and Ly Seppel lived together in Estonia writing poetry. Ehin's style is that of the surrealist--"a connector of the unconnectable"--while Seppel is a poet of the fleeting moment, the glance of language across it. Translator Ilmar Lehtpere has compiled a selection of translations in the form of a poetic dialogue between husband and wife, incorporating larger discussions of poet and language, nation, and self.