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Livia
This is the first biography in English of one of Rome's most famous and infamous women, Livia (58 BC-AD 29), wife of Augustus and mother of Tiberius, who dominated imperial politics for decades.
Imperium and Cosmos
Caesar Augustus promoted a modest image of himself as the first among equals, a characterisation that was popular with the ancient Romans. This work focuses on Augustus's Mausoleum and Ustrinum, the Horologium-Solarium, and the Ara Pacis. It also examines the artistic imagery on these monuments.
The Augustan Succession
Written in the author's maternal Greek, the Roman History of the third-century A.D. historian Cassius Dio is our fullest surviving historical source for the reign of the Emperor Augustus. In The Augustan Succession Peter Michael Swan provides an ample historical and historiographic commentary on Books 55-56 of the History. These books recount Augustus's last twenty-three years (9 B.C.-A.D. 14), during which the aging monarch, amid dynastic tragedies and military setbacks, orchestrated the continuation of the constitutional and imperial system developed under his leadership, which ended in his transmission of power to his son-in-law Tiberius. The Augustan Succession is the first commentary si...
Abandoned to Lust
Early Christians used charges of adultery, incest, and lascivious behavior to demonize their opponents, police insiders, resist pagan rulers, and define what it meant to be a Christian. Christians frequently claimed that they, and they alone were sexually virtuous, comparing themselves to those marked as outsiders, especially non-believers and "heretics," who were said to be controlled by lust and unable to rein in their carnal desires. True or not, these charges allowed Christians to present themselves as different from and morally superior to those around them. Through careful, innovative readings, Jennifer Knust explores the writings of Paul, Justin Martyr, Irenaeus of Lyons, and other ea...
Power and Propaganda in the Large Imperial Cameos of the Early Roman Empire
This study examines the five extant large Imperial cameos of the Early Roman Empire as a coherent whole, revealing that these gemstones were a referential group with complex interrelationships. Power and Propaganda in the Large Imperial Cameos of the Early Roman Empire offers a feminist theory that explains why large Imperial cameos were in dialogue and why the medium appears with Octavian and disappears by the Flavian dynasty: female Imperial family members commissioned them to advance their husbands and sons. This volume is an introduction to large Imperial cameos and reveals their importance for the understanding of Roman art and iconography and the implications of its theorized Imperial female patronage. The book will be of interest to scholars working in art history, classics, and archaeology.
Sacred Founders
Diliana Angelova argues that from the time of Augustus through early Byzantium, a discourse of “sacred founders”—articulated in artwork, literature, imperial honors, and the built environment—helped legitimize the authority of the emperor and his family. The discourse coalesced around the central idea, bound to a myth of origins, that imperial men and women were sacred founders of the land, mirror images of the empire’s divine founders. When Constantine and his formidable mother Helena established a new capital for the Roman Empire, they initiated the Christian transformation of this discourse by brilliantly reformulating the founding myth. Over time, this transformation empowered imperial women, strengthened the cult of the Virgin Mary, fueled contests between church and state, and provoked an arresting synthesis of imperial and Christian art. Sacred Founders presents a bold interpretive framework that unearths deep continuities between the ancient and medieval worlds, recovers a forgotten transformation in female imperial power, and offers a striking reinterpretation of early Christian art.
Lawrence Durrell's Major Novels, Or, The Kingdom of the Imagination
Through his use of Gnostic beliefs, Durrell destabilizes our notions of the "real" and suggests that the civilization to emerge out of the ruins of a devastated Europe will not be Christian, but Quincunxial. Durrell's aesthetic and thematic concerns establish him as a significant, indeed central, voice in twentieth-century British literature. His career, which spans over five decades, links the British High Modernists with the Postmodernists.
Addicted to Failure
For supplementary documentation and useful websites, click here. This perceptive book critically explores why the United States continues to pursue failed policies in Latin America. What elements of the U.S. and Latin American political systems have allowed the Cold War, the war on drugs, and the war on terror to be conflated? Why do U.S. policies--ostensibly designed to promote the rule of law, human rights, and democracy--instead contribute to widespread corruption, erosion of government authority, human rights violations, and increasing destabilization? Why have the war on drugs and the war on terror neither reduced narcotics trafficking nor increased citizen security in Latin America? Wh...
