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Running the Show
Whether it's a crew of two hundred shooting a cast of thousands on horseback, or a crew of twelve filming one person in a room, each and every successful movie production requires a strong First Assistant Director (AD) at its helm. In this new and updated edition, veteran First AD Liz Gill walks you through the entire filmmaking process through the perspective of the First AD, from pre-production, shoot, wrap, and everything in between. This book provides invaluable insight into working as a First Assistant Director, featuring tricks-of-the-trade for breaking down a script, creating a schedule and organizing test shoots, alongside how to use turnaround time, weather cover, split days, overti...
Postcolonial and Gender Perspectives in Irish Studies
This book represents an attempt to tackle questions related to fragmented and often conflicting ideologies within Irish studies. Although a collective outcome, with contributions in English and Spanish, its unifying concern has been the appliance of postcolonial and gender perspectives to the analysis of Irish literature (prose, drama and verse) and cinema, as well as to the aesthetic production of both the Republic of Ireland and Northern Ireland. Along the volume, while some authors have chosen to delve into the broad theoretical debate concerning the position of Irish studies within postcolonial and feminist theories, others offer detailed examinations of specific literary pieces and authors that fit in this panorama. All in all, the chapters are wide and diverse enough to trace a spatial and temporal map of the evolution of these paradigms within contemporary Irish studies, North and South of the border.
New Irish Storytellers
With the success of such films as the Oscar winner Once, Irish film has been getting well-deserved international attention recently. New Irish Storytellers examines storytelling techniques and narrative strategies in contemporary Irish film. Revealing defining patterns within recent Irish cinema, this book explores connections between Irish cinematic storytellers and their British and American colleagues. Díóg O’Connell traces the creative output of Irish filmmakers today back to 1993, the year the Irish Film Board was reactivated, reinvigorating film production after a hiatus of seven years. Reflecting on this key and distinctive era in Irish cinema, this book explores how film gave expression to tensions and fissures in the new Ireland.
The Foundling School for Girls
'Elizabeth Gill is a born storyteller' Trisha Ashley After Ruth Dixon's mother deserts her on Christmas Eve, her father comes home drunk and commits an unthinkable act. Without money or friends she has nowhere to go, but when he hurts her a second time, she knows what she must do. She is rescued by Jay, a businessman, who takes her to the convent where she meets Sister Madeline. Along with the rest of the nuns, Maddy provides food, shelter and education for orphans. Ruth comes to see her new friends as family and things are finally looking up. But then a pit accident changes everything, and they all stand to lose something - or someone - they love... From the bestselling author of Miss Appleby's Academy and Nobody's Child comes a new series about the lost orphans of Durham and the nuns who take them in...
The Myth of an Irish Cinema
For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer ...
Genre and Cinema
This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema.
Re-imagining Ireland
Accompanying DVD is a videorecording of the television program produced by Virginia Foundation for the Humanities and Paul Wagner Productions in association with Radio Telefís Éireann, and originally broadcast in 2004.
The Advocate
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
The Advocate
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Cinemas of Ireland
Cinemas of Ireland is a collection of fourteen essays which provide numerous approaches to the new Irish cinemascape from both an Irish and a European perspective. Highlighting the works of European scholars in Irish studies, it features a variety of noteworthy critical papers that explore the evolution of contemporary Irish cinema in an era of globalisation. The collection also stresses the rich interdisciplinary nature of Irish film studies, ranging from theoretical studies, gender studies, to political and historical studies. The list of films analysed includes among others Adam and Paul (2004), The Wind that Shakes the Barley (2006), Garage (2007), The Brave One (2007). This collective volume is aimed at all established and emerging scholars who work on Irish cinema and at all the readers who are interested in discovering contemporary Irish cinema in its evolution and in the issues it tackles.
