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A deconstruction of gender through the voices of Siri, HAL 9000, and other computers that talk Although computer-based personal assistants like Siri are increasingly ubiquitous, few users stop to ask what it means that some assistants are gendered female, others male. Why is Star Trek’s computer coded as female, while HAL 9000 in 2001: A Space Odyssey is heard as male? By examining how gender is built into these devices, author Liz W. Faber explores contentious questions around gender: its fundamental constructedness, the rigidity of the gender binary, and culturally situated attitudes on male and female embodiment. Faber begins by considering talking spaceships like those in Star Trek, th...
In Robot Suicide: Death, Identity, and AI in Science Fiction, Liz W Faber blends cultural studies, philosophy, sociology, and medical sciences to show how fictional robots hold up a mirror to our cultural perceptions about suicide and can help us rethink real-world policies regarding mental health. For decades, we’ve been asking whether we could make a robot live; but a new question is whether a living robot could make itself die. And if it could, how might we humans react? Suicide is a longstanding taboo in Western culture, particularly in relationship to mental health, marginalized identities, and individual choice. But science fiction offers us space to tackle the taboo by exploring whether and under what circumstances robots—as metaphorical stand-ins for humans—might choose to die. Faber looks at a broad range of science fiction, from classics like The Terminator franchise to recent hits like C. Robert Cargill’s novel Sea of Rust.
Taking a broad interpretation of “supernatural” to include anything beyond nature, Global Perspectives on the Liminality of the Supernatural examines the liminality of often-overlooked types of supernatural beings in light of the themes of death and gender. It gives the reader a tour of the continents and takes them out into space, looking at popular culture and mythologies to propose answers to fundamental anthropological questions about humanity, the concept of “dead,” and how we relate to our own genders when using the supernatural to understand them.
Virtual Identities and Digital Culture investigates how our online identities and cultures are embedded within the digital practices of our lives, exploring how we form community, how we play, and how we re-imagine traditional media in a digital world. The collection explores a wide range of digital topics – from dating apps, microcelebrity, and hackers to auditory experiences, Netflix algorithms, and live theatre online – and builds on existing work in digital culture and identity by bringing new voices, contemporary examples, and highlighting platforms that are emerging in the field. The book speaks to the modern reality of how our digital lives have been forever altered by our transnational experiences – one of those key experiences is the pandemic, but so too is systemic inequality, questions of digital privacy, and the role of joy in our online lives. A vital contribution at a time of significant social and cultural flux, this book will be highly relevant to those studying digital culture within media, communication, cultural studies, digital humanities, and sociology departments.
In the post-COVID era, understanding the profound impact of digital technologies on design pedagogy is crucial. This book delves into experimental design education, showcasing projects utilising technology to transform creative and analytical processes. Emphasising the potential for digital-era technologies to create novel educational opportunities, the book addresses recent global events and their role in minimising educational disruptions in the evolving hybrid educational landscape. Each chapter offers case studies exploring digital technology's influence across architectural education, spanning interior design, urban planning, parametric digital design, architectural conservation, and de...
This book examines the narratives of series heroines that preceded and followed Nancy Drew, each in relation to their social, historical, and economic environments. Covering heroines including Miss Pickerell, Madge Sterling, and Polly the Powers Model, among others, this book illustrates that the recovery of stolen inheritances during the Great Depression serves different social ends than, for example, fighting Germans on an international stage. This book expands scholarship that tends to focus on Nancy Drew by drawing attention to the stories of some other “lost” heroines of twentieth century U.S. series fiction. Organized by time period, the chapters give insight into the cultural landscape that perpetuated the popularity of these heroines in their respective eras, how these series reflected the experiences of readers across the decades, and their continued impact well into the twenty-first century.
"A deconstruction of gender through the voices of Siri, HAL 9000, and other computers that talk"--
For nearly 60 years, Star Trek has imagined humanity's future while reflecting its present. Star Trek: The Original Series debuted with three male leads, but in the wake of a Trek renaissance that began with Star Trek: Discovery in 2017, additional series have explored the frontiers of representation, making the present moment ripe for new critical engagement and thoughtful reflection on the narratives that have shaped the journey thus far. Using the lens of feminist criticism and theory, this collection of essays presents a diverse array of academic and fan scholars engaging with the past, present, and future of Star Trek. Contributors consider issues like Klingon marriage, Majel Barrett's legacy, the Bechdel-Wallace test, LGBTQ+ representation, and more. They offer updated readings on legacy characters while also addressing wholly new characters like Michael Burnham, Beckett Mariner, and Adira Tal. Their essays provide some of the first critical examinations of the newest additions to the Trek franchise, including Picard, Strange New Worlds and Lower Decks.
A facsimile of a 19th century book is a delightful, quirky account, beautifully illustrated with the author's famous line drawings, of her quintessentially English childhood growing up as a Darwin at the end of the 19th century.