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Ovid: A Very Short Introduction
"Vivam" is the very last word of Ovid's masterpiece, the Metamorphoses: "I shall live." If we're still reading it two millennia after Ovid's death, this is by definition a remarkably accurate prophecy. Ovid was not the only ancient author with aspirations to be read for eternity, but no poet of the Greco-Roman world has had a deeper or more lasting impact on subsequent literature and art than he can claim. In the present day no Greek or Roman poet is as accessible, to artists, writers, or the general reader: Ovid's voice remains a compellingly contemporary one, as modern as it seemed to his contemporaries in Augustan Rome. But Ovid was also a man of his time, his own story fatally entwined w...
The Buddhas of Bamiyan
Main description: For 1,400 years, two colossal figures of the Buddha overlooked the fertile Bamiyan Valley on the Silk Road in Afghanistan. Witness to a melting pot of passing monks, merchants, and armies, the Buddhas embodied the intersection of East and West, and their destruction by the Taliban in 2001 provoked international outrage. Llewelyn Morgan excavates the layers of meaning these vanished wonders hold for a fractured Afghanistan. Carved in the sixth and seventh centuries, the Buddhas represented a confluence of religious and artistic traditions from India, China, Central Asia, and Iran, and even an echo of Greek influence brought by Alexander the Great's armies. By the time Genghi...
Ovid: a Very Short Introduction
Ovid, wittiest of ancient poets, has been an influential model for writers and artists throughout the ages. Llewelyn Morgan introduces the poet and his works, describing each of his poems in turn, setting them in their social and literary context, and considering the twist of events that led to the exile of Rome's most celebrated artist.
Musa Pedestris
An accessible account of some of the most common metres in Roman poetry, explaining how the poets can exploit them to support, supplement, or drive the meaning of the poems they carry. The study brings new insight to a range of poems, from the works of Catullus and Horace to those of Martial, Statius, and Lucilius.
Horace: A Very Short Introduction
Very Short Introductions: Brilliant, Sharp, Inspiring Horace was one of the greatest poets during the reign of Augustus and is seen as a mark of cultural sophistication since this time. This Very Short Introduction examines how Horace's poetry has exerted enormous influence but argues that it is best understood within the traditions of ancient literature. Llewellyn Morgan guides the reader through the dizzying vagaries of Horace's biography, which reflects the political and social instability of the period. His poetry, and the life he artfully constructs and presents to us in it, engages both with the greatest crisis that Rome had ever faced, and its resolution by the first Emperor. Horace i...
The View from Malakand: Harold Deane’s ‘Note on Udyana and Gandhara’
This volume presents a seminal and pioneering account of the antiquities of Swat and Peshawar (Pakistan) by Harold Deane, discovered in the fort at Malakand, Swat; it presents and transcribes the manuscript and provides extended notes identifying and describing the places that Deane discusses in his article.
How Green Was My Valley
"How Green Was My Valley" is Richard Llewellyn's bestselling -- and timeless -- classic and the basis of a beloved film. As Huw Morgan is about to leave home forever, he reminisces about the golden days of his youth when South Wales still prospered, when coal dust had not yet blackened the valley. Drawn simply and lovingly, with a crisp Welsh humor, Llewellyn's characters fight, love, laugh and cry, creating an indelible portrait of a people.
Patterns of Redemption in Virgil's Georgics
At the time of this book's first publication in 1999, orthodoxy interpreted the Georgics as a statement of profound ambivalence towards Octavian and his claim to be Rome's saviour after the catastrophe of the civil wars. This book takes issue with the model of the subtly subversive poet. It argues that in the turbulent political circumstances which obtained at the time of the poem's composition, Virgil's preoccupation with violent conflict has a highly optimistic import. Octavian's brutal conduct in the civil wars is subjected to a searching analysis, but is ultimately vindicated, refigured as a paradoxically constructive violence analogous to blood sacrifice or Romulus' fratricide of Remus. The vindication of Octavian also has strictly literary implications for Virgil. The close of the poem sees Virgil asserting his mastery of the Homeric mode of poetry and the providential world-view it was thought to embody.
Literature in the Greek and Roman Worlds
The focus of this book--its new perspective--is on the 'receivers' of literature: readers, spectators, and audiences. Twelve contributors, drawn from both sides of the Atlantic, explore the various and changing interactions between the makers of literature and their audiences or readers from the earliest Greek poetry to the end of the Roman empires in the Western and Eastern Mediterranean. From the heights of Athens to the hellenistic Greek diaspora, from the great Augustans to the irresistible tide of Christianity, the contributors deploy fresh insights to map out lively and provocative, yet accessible, surveys. They cover the kinds of literature which have shaped western culture--epic, lyric, tragedy, comedy, history, philosophy, rhetoric, epigram, elegy, pastoral, satire, biography, epistle, declamation, and panegyric. Who were the audiences, and why did they regard their literature as so important? --jacket.
Engendering Rome
Heroism has long been recognised by readers and critics of Roman epic as a central theme of the genre from Virgil and Ovid to Lucan and Statius. However the crucial role female characters play in the constitution and negotiation of the heroism on display in epic has received scant attention in the critical literature. This study represents an attempt to restore female characters to visibility in Roman epic and to examine the discursive operations that effect their marginalisation within both the genre and the critical tradition it has given rise to. The five chapters can be read either as self-contained essays or as a cumulative exploration of the gender dynamics of the Roman epic tradition. The issues addressed are of interest not just to classicists but also to students of gender studies.
