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Selected Poems
  • Language: en
  • Pages: 215

Selected Poems

  • Type: Book
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  • Published: 2021-11-02
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  • Publisher: Arimei Books

This is the most extensive selection in English of poems by one of the all-time great Dutch poets, Herman Gorter (1864-1927). A companion volume to M. Kruijff's translation of the epic May, this book welcomes the reader to the rich spectrum of Gorter's lyric verse. The selection traces the stages of Gorter's career as a poet. It opens with 22 poems from his introvertive 'sensitivist' Verses (Verzen, 1890) which have been called the beginning of modern Dutch poetry. These are followed by poems from later collections in which Gorter was transitioning to a less self- and more world-focused perspective. In the subsequent passages from the long epic Pan (1912/1916), he has clearly become a 'socia...

Chinese Aesthetics and Literature
  • Language: en
  • Pages: 278

Chinese Aesthetics and Literature

  • Type: Book
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  • Published: 2004-03-18
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  • Publisher: SUNY Press

Featuring the work of renowned scholars, this anthology provides an introduction to Chinese aesthetics and literature.

A Speaker from Taipei
  • Language: en
  • Pages: 185

A Speaker from Taipei

Varieties of Spoken Standard Chinese: A Speaker from Taipei v. 2.

The Organization of Distance
  • Language: en
  • Pages: 310

The Organization of Distance

  • Type: Book
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  • Published: 2018-07-17
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  • Publisher: BRILL

What makes a Chinese poem “Chinese”? Some call modern Chinese poetry insufficiently Chinese, saying it is so influenced by foreign texts that it has lost the essence of Chinese culture as known in premodern poetry. Yet that argument overlooks how premodern regulated verse was itself created in imitation of foreign poetics. Looking at Bian Zhilin and Yang Lian in the twentieth century alongside medieval Chinese poets such as Wang Wei, Du Fu, and Li Shangyin, The Organization of Distance applies the notions of foreignization and nativization to Chinese poetry to argue that the impression of poetic Chineseness has long been a product of translation, from forces both abroad and in the past.

The Self and the Sonnet
  • Language: en
  • Pages: 496

The Self and the Sonnet

The Self and the Sonnet is an interdisciplinary study which considers the sonnet, a near eight hundred year old form, and looks at the historical meanderings and the popularity of the form among cultures that are far removed from the location of its origin in Italy. The book tracks the notion of the self from its Platonic beginnings to the Postmodern, using insights from Charles Taylor, Brian Morris and Calvin O. Schrag so as to work out a model of the self. Jan Patočka’s phenomenological notions of the self and Chaos Theory are important cohesive elements in the composition of this model. A limit point in Mathematics is a point that is not in the set around which all the points cluster. ...

A Stairway to Heaven: Daoist Self-Cultivation in Early Modern China
  • Language: en
  • Pages: 518

A Stairway to Heaven: Daoist Self-Cultivation in Early Modern China

  • Type: Book
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  • Published: 2024-11-04
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  • Publisher: BRILL

By the eleventh century, communities of religious practitioners in China had developed a theory and practice of meditative self-cultivation that combined the so-called Three Teachings. By the seventeenth century, Wu Shouyang created a synthesis of the various lineages of this “inner alchemy,” combining it with elements from Buddhism and Confucianism. By the late nineteenth century, his writings had become bestsellers in the genre and his became the standard account of this tradition. This first book-length English-language study of Wu Shouyang’s life and works introduces his remarkable life and formulates answers to fundamental questions about this important tradition.

Robert van Gulik and His Chinese Sherlock Holmes
  • Language: en
  • Pages: 240

Robert van Gulik and His Chinese Sherlock Holmes

  • Type: Book
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  • Published: 2023-09-20
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  • Publisher: BRILL

In the post-war mid-century Robert van Gulik produced a series of stories set in Imperial China and featuring a Chinese Judge: Judge Dee. This book examines the author’s unprecedented effort in hybridising two heterogenous crime writing traditions – traditional Chinese gong’an (court-case) fiction and its Anglo-American counterpart – bringing to light how his fiction draws elements from these two traditions for plots, narrative features, visual images, and gender representation. Relying on research on various sources and literary traditions, it provides illumination of the historical contexts, centring on the cultural interaction and connectedness that occurred during the multidirectional global flows of the Judge Dee texts in both western and Chinese markets. This study contributes to current scholarship on crime fiction by questioning its predominantly Eurocentric focus and the divisive post-colonial approach often adopted in accessing works concerning foreign peoples and cultures.

Chinese Poetry in Times of Mind, Mayhem and Money
  • Language: en
  • Pages: 537

Chinese Poetry in Times of Mind, Mayhem and Money

  • Type: Book
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  • Published: 2008-10-02
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  • Publisher: BRILL

Chinese Poetry in Times of Mind, Mayhem and Money is a groundbreaking study covering a range of contemporary authors and issues, from Haizi to Yin Lichuan and from poetic rhythm to exile-bashing. Its rigorous scholarship, literary sensitivity and lively style make it eminently fit for classroom use.

A History of European Literature
  • Language: en
  • Pages: 625

A History of European Literature

Walter Cohen argues that the history of European literature and each of its standard periods can be illuminated by comparative consideration of the different literary languages within Europe and by the ties of European literature to world literature. World literature is marked by recurrent, systematic features, outcomes of the way that language and literature are at once the products of major change and its agents. Cohen tracks these features from ancient times to the present, distinguishing five main overlapping stages. Within that framework, he shows that European literature's ongoing internal and external relationships are most visible at the level of form rather than of thematic statemen...

The Age of Irreverence
  • Language: en
  • Pages: 355

The Age of Irreverence

The Age of Irreverence tells the story of why China’s entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called “histories of laughter.” In the first years of the Republic, novelists, essayists and illustrators alike used humorous allegories to make veiled critiques of the new government. But, again and again, political and cultural discussion erupted into invective, as critics gleefully jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilar...