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From a March 2000 conference at the University of Pennsylvania, 16 essays explore such aspects as women's dialogue writing in 16th-century France, Maria Domitilla Galluzzi and the Rule of St. Clare of Assisi, courtly origins of new literary canons, the earliest anthology of English women's texts, and the reinvention of Anne Askew. One of the contri
Studies of the city, and of women's experiences of the city, have focused primarily on modern times, especially as modernism was defined in large part by urban life. Italy, however, has a long history of urban-centered culture, and women have been a vocal part of that culture since the Renaissance. This volume, therefore, looks at the art and literature of both earlier and more modern periods to investigate the meanings of the city for Italian women, the intensely gendered meanings (for both sexes) of those city spaces that excluded women, and the conditions that permitted a limited permeability of gendered boundaries. Two aspects to the combination of "women" and "city" are salient to these...
First published in 1956, Ruth Kelso's Doctrine for the Lady of the Renaissance is a landmark work that has lived up to its early, laudatory reviews by remaining in demand among scholars of Renaissance studies and of women in the Renaissance. It both offers a comprehensive account of Renaissance views on woman and acknowledges that women were ''in many ways excluded from the freedom and enlightenment characteristic of the period.''This new printing retains the foreword by Katharine Rogers that was added to the 1978 edition.
The articles in this volume focus upon Boethius's extant works: his De arithmetica and a fragmentary De musica, his translations and commentaries on logic, his five theological texts, and, of course, his Consolation of Philosophy. They examine the effects that Boethian thought has exercised upon the learning of later generations of scholars.
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When eleven-year-old Lavinia Guasca began her new life as a lady-in-waiting at the court of Turin, she brought with her a parting gift from her father Annibal (1540-1619): a detailed guidebook he wrote to help steer her through the many pitfalls of court life. Lavinia had her father's Discourse published in 1586; this English translation is the first version published in any form since that time. The Discourse displays an incredibly far-sighted view of women's education. Annibal thought gifted young girls should develop their talents and apply them to careers outside the home. In the Discourse, he details the unique and extremely rigorous educational program to which he had subjected Lavinia almost from the cradle with this end in mind. To complete Lavinia's education, Annibal filled the Discourse with advice on spirituality and morality, health and beauty, and how to behave at court—everything a well-bred lady-in-waiting would need to know. This edition also includes an appendix that traces the later events of Lavinia's life through excerpts from her father's letters.
*A Waterstones Best Book of 2023* *A BBC Radio 4 Book of the Week* *A New York Times Editor's Pick* 'Terrific' SARAH DUNANT 'Lively and intriguing ... You'll never look at Renaissance portraits in the same way' MAGGIE O'FARRELL 'Highlights a rich tapestry of female experience that encompasses everyone from artisans to aristocrats ...' THE TIMES This is the story of the Renaissance, but not as you know it. Discover overlooked and silenced women from this extraordinary moment in history and how they forged opportunities for creativity, community and resistance. From the bedchamber to the court, they give us an intimate window into what life was really like - and hold a mirror up to our contemporary obsession with how we look. 'A witty and engaging history of cosmetics and beauty ... lavishly illustrated and hugely entertaining' IRISH TIMES 'A total eye-opener, I loved it' NUALA McGOVERN