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Lois Weinberger
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Lois Weinberger
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Lois Weinberger
"Internationally renowned Lois Weinberger has played a key rote in the new debate about the relationship between art and nature. Having committed for a long time to the development of projects on green areas and sustainability, at the heart of his work lies the idea of a garden as a 'temporary perfect territory' in Liminal areas. The book presents the first publication on 30 years of Weinberger's work with a large photographic section on his main public interventions and outdoor gardens, including Empty Garden, Portable Gardens, Abandoned Gardens."
Lois Weinberger
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Home Voodoo
This book features essays by Tom Trevor and Eva Maria Stadler. This catalogue accompanies the first major solo exhibition in the UK for the internationally renowned Austrian artist-duo, Lois and Franziska Weinberger. The diverse media employed in their practice incorporates sculpture, found objects, text pieces, large-scale mural drawings and maps, slide works, photography, video installations and site-specific interventions.
The Cultures of Entanglement
The symbolic meaning of plants, their relevance to religion and the metaphorical provocations in the order of knowledge, culture and political power underline the role of plants as something more than passive objects. Current theoretical and artistic discourses have been seeking access to the world independently of man by focusing on the nonhuman other. The contributors to this volume examine the historical, philosophical and scientific findings that generate this idea. In what way are such perspectives manifest in contemporary art? Do artists develop a particular approach that enables nonhuman life forms like plants, insects or animals to have an impact?
Basics
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REALITY CHECK: WILD CUBE AND GROUND CONTROL
In the tradition of the discursive exhibitions of the RealismusStudio, the focus of the show is on Lois Weinberger, a trailblazer and crosser of frontiers, who since the late 1980s has influenced the debates on art and its dealings with nature. Since this time, his engagement with spaces of nature and civilisation and the phenomenon of an excessively controlled society has been dominated by spontaneous ruderal vegetation. His metaphor of the migration movements of our times, which calls into question the arbitrary drawing of borders and hierarchies, turns out to be a radical counter-concept to the capitalist industry of exploitation. At the nGbK, works that were created during his grant stay...
Lois Weinberger
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