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Newcomers: Book One
The first volume of this three-part autobiographical series begins in 1938 with the expulsion of the Kovacic family from their home of Switzerland, eventually leading to their settlement in the father's home country of Slovenia. Narrated by Kovacic as a ten-year-old boy, he describes his family's journey with uncanny naiveté. Before leaving their home, he imagines his father's home country as something beautiful out of a fairytale, but as they make their way toward exile, he and his family realize that any attempt to make a home in Slovenia will be in vain. Confronted by misery, hunger, and hostility, the young boy refuses to learn Slovenian and falls silent, his surroundings becoming a social, cultural and mental abyss. Kovačič meticulously, boldly, and sincerely portrays the objective, everyday world; the style is clear and direct. Told from the point of view of a child, one memory is interrupted by fragments and visions of another. Some are innocent and tender, while others are miserable and ruthless, resulting in a profound and heart-wrenching description of a period torn apart by conflict, reflected in the author's powerful and innovative command of language.
Reality and Truth in Literature
This study provides a critical survey of views on reality and truth in the realm of philosophy and literary theory. Its aim is to show how important it is to focus our critical attention on literature itself as a way of conveying a general view of totality of things, with special attention to human life and death, effort and suffering, success and failure. A work of literature and art does not characterize experience and knowledge as such, but rather the response of concrete characters to the problems of human existence and fate. The monograph deals with pre-modern philosophical reflection on reality and truth, with post-modern ways of representation of reality in myth, history, biography, autobiography and fiction, and with sublime perceptions of beauty, love and forgiveness. The views of the writers show that there are important differences in presenting reality and truth in relation to material and historical facts. But the most important distinction is in dealing with dimensions of true life of human persons in their ineffable feelings and ideas.
Newcomers
The second installment of Lojze Kovačič's Slovenian masterpiece begins with our hero, Bubi, once again making mischief in the labyrinthine streets, rooftops, bridges, abandoned butcher shops, and cinemas of wartime Ljubljana, with a coterie of scrappy sidekicks. Scenes of first sexual encounters - which are more mimicry than acts of desire - are interspersed with hijinks that replicate the violence raging across Europe. From the goofy, heady plots of childhood, Bubi emerges as a determined student of art, trading his handmade comic books for scraps of food and working day and night on a mural of Snow White for a nearby orphanage.Kovačič's control of language, and Michael Biggins's expert translation, form a remarkable fidelity to a time in which a thirteen-year-old Swiss kid, exiled and yet protected from the worst horrors of the Holocaust, envisions Nazi Germany as "a gigantic, black, marble block filled with Hitler Youth brats with whom I would have to stand at attention, striking some drum." Book Two is so packed with arresting historical detail, so attentive to the intricate material world of 1940s Ljubljana, as to render the contemporary moment flimsy in comparison. --
White Stones and Fir Trees
The works gathered together here have all been written since World War II. They offer a unique opportunity to see and understand the development, nature, and main characteristics of Slavic creative writing in our time.
Newcomers: Book Two
The first volume of this three-part autobiographical series begins in 1938 with the expulsion of the Kovacic family from their home of Switzerland, eventually leading to their settlement in the father's home country of Slovenia. Narrated by Kovacic as a ten-year-old boy, he describes his family's journey with uncanny naiveté. Before leaving their home, he imagines his father's home country as something beautiful out of a fairytale, but as they make their way toward exile, he and his family realize that any attempt to make a home in Slovenia will be in vain. Confronted by misery, hunger, and hostility, the young boy refuses to learn Slovenian and falls silent, his surroundings becoming a social, cultural and mental abyss. Kovačič meticulously, boldly, and sincerely portrays the objective, everyday world; the style is clear and direct. Told from the point of view of a child, one memory is interrupted by fragments and visions of another. Some are innocent and tender, while others are miserable and ruthless, resulting in a profound and heart-wrenching description of a period torn apart by conflict, reflected in the author's powerful and innovative command of language.
National Union Catalog
Includes entries for maps and atlases.
Distant Transit
From a groundbreaking Slovenian-Austrian poet comes an evocative, captivating collection on searching for home in a landscape burdened with violent history. At its core, Distant Transit is an ode to survival, building a monument to traditions and lives lost. Infused with movement, Maja Haderlap’s Distant Transit traverses Slovenia’s scenic landscape and violent history, searching for a sense of place within its ever-shifting boundaries. Avoiding traditional forms and pronounced rhythms, Haderlap unleashes a flow of evocative, captivating passages whose power lies in their associative richness and precision of expression, vividly conjuring Slovenia’s natural world––its rolling meadows, snow-capped alps, and sparkling Adriatic coast. Belonging to the Slovene ethnic minority and its inherited, transgenerational trauma, Haderlap explores the burden of history and the prolonged aftershock of conflict––warm, lavish pastoral passages conceal dark memories, and musings on the way language can create and dissolve borders reveal a deep longing for a sense of home.
