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The popularization of radio, television, and the Internet radically transformed musical practice in the Asia Pacific. These technologies bequeathed media broadcasters with a profound authority over the ways we engage with musical culture. Broadcasters use this power to promote distinct cultural traditions, popularize new music, and engage diverse audiences. They also deploy mediated musics as a vehicle for disseminating ideologies, educating the masses, shaping national borders, and promoting political alliances. With original contributions by leading scholars in anthropology, ethnomusicology, sound studies, and media and cultural studies, the 12 essays this book investigate the processes of broadcasting musical culture in the Asia Pacific. We shift our gaze to the mechanisms of cultural industries in eastern Asia and the Pacific islands to understand how oft-invisible producers, musicians, and technologies facilitate, frame, reproduce, and magnify the reach of local culture.
Pham explores North Vietnam’s unique challenges and perspectives to provide a holistic understanding of the Vietnam War. Delving into the emotional, philosophical and cultural dimensions of Northern Vietnamese experiences, this book transcends mere military strategy to illuminate how these elements shaped the nation's identity, beliefs and self-conception. The book’s multifaceted approach fosters a deeper understanding of North Vietnam's wartime journey. Beginning with the 1954 division of Vietnam, it probes into the ideological battles and propaganda efforts of the Democratic Republic of Vietnam (DRV) and examines historical precedents, Communist ideology, and propaganda slogans. Drawin...
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First to ninth reports, 1870-1883/84, with appendices giving reports on unpublished manuscripts in private collections; Appendices after v. [15a] pt. 10 issued without general title.
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Introduction. On Radio, Red Music, and Revolution -- Sound, Technology, and Culture in French Indochina -- Battle of the Airwaves during the First Indochina War -- Songs of the Golden Age in the Democratic Republic -- National Radio in the Reform Era -- Studio Production in Contemporary Vietnam -- Conclusion. Nostalgia for the Past, Hope for the Future.
TheInternational Who's Who in Popular Music 2002offers comprehensive biographical information covering the leading names on all aspects of popular music. It brings together the prominent names in pop music as well as the many emerging personalities in the industry, providing full biographical details on pop, rock, folk, jazz, dance, world and country artists. Over 5,000 biographical entries include major career details, concerts, recordings and compositions, honors and contact addresses. Wherever possible, information is obtained directly from the entrants to ensure accuracy and reliability. Appendices include details of record companies, management companies, agents and promoters. The reference also details publishers, festivals and events and other organizations involved with music.
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