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A wicked stepmother finds her ideal prey in Carlone Blackwood's “quite brilliant” (The Times) debut. A lavish Upper West Side apartment is the site of a familial cold war about to enter a phase of dangerous escalation. J is a lonely woman without even the luxury of being alone. Her husband has fled to Paris with his latest flame, but he’s left J not only with their own four-year-old daughter, Sally Ann, but with the sulky cake-mix addicted, thirteen-year-old Renata, a leftover from his previous marriage. The presence of a pert au pair, Monique, serves only to make J feel more isolated and self-conscious. What she’d like is someone to blame. Writing letters in her head to imaginary friends, J delights in dwelling on the hapless Renata, who “invites a kind of cruelty.” This is an invitation J fully intends to take up—and like so many stepmothers before her, she will find that wickedness, once indulged, is a difficult habit to kick. A mordant black splinter of a book, Caroline Blackwood’s first novel stands as proof positive of her eternal mastery—and mockery—of the darkest depths of human feeling.
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Condemned as an intellectul poison by the late American geographer Richard Hartshbornem geopolitics has confounded its critics. Today it remains a popular and important intellectul field despite the persistent allegations that geopolitics helped to legitimate Hitler's policies of spatial expansionism and the domination of place. Using insights from critical geopolitics and cultural history, the contributoirs focus on how geopolitics has been created, negotiated and contested within a variety of intellectual and popular contexts. Geopolitical Traditions argues that geopolitics has to take responsibility for the past whilst at the same time reconceptualising geopolitics in a manner which accou...
Comparative Criticism is an annual journal of comparative literature and cultural studies that has gained an international reputation since its inception in 1979. It contains major articles on literary theory and criticism; on a wide range of comparative topics; and on interdisciplinary debates. It includes translations of literary, scholarly and critical works; substantial reviews of important books in the field; and bibliographies on specialist themes for the year, on individual writers, and on comparative literary studies in Britain and Ireland.
An investigation into how constructions of character in children's literature become cultural imprints that serve a functional purpose in the wider context of race and power.
Reprint of the original, first published in 1871.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Brokering Culture in Britain's Empire and the Historical Novel examines the relationship between the historical sensibilities of nineteenth-century British and American “romancers” and the conceptual frameworks that eighteenth-century imperial interlocutors used to imagine and critique their own experiences of Britain’s diffused, tenuous, and often accidental authority. Salyer argues that this cultural experience, more than what Lukács had in mind when he wrote of a mass historical consciousness after Napoleon, gave rise to the Romantic historiographical approach of writers such as Walter Scott, James Fenimore Cooper, Charles Brockden Brown and Frederick Marryat. This book traces the ...