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The Father and Daughter with Dangers of Coquetry
The Father and Daughter was one of the most widely read novels of the early nineteenth century, captivating readers with its pathos and melodrama. It tells the story of Agnes Fitzhenry, whose seduction by the libertine Clifford causes her father to descend into madness. Rooted in the social conditions of late eighteenth- and early nineteenth-century Britain, the novel is both an affecting narrative and a compelling social commentary. Opie’s first novel, Dangers of Coquetry (1790), also addresses issues of female sexuality and the social construction of gender. It is the story of a young woman who, while possessing many virtues, is given to coquetry. She attracts the attention of a sternly moral gentleman who dislikes coquettes, and mutual love ensues. This Broadview edition includes a careful selection of contextual documents, such as Opie’s letters, dramatic adaptations, and texts on coquetry, chastity, and the treatment of insanity.
Simon Episcopius' Doctrine of Original Sin
Simon Episcopius (1583-1643), who began his theological career as the protégé of Jacobus Arminius, led the Arminians at the Synod of Dort and was instrumental in guaranteeing Arminianism's survival. This book breaks new ground by clearly showing how, in the process of working out the implications of the theological trajectories which Arminius established, Episcopius introduced significant changes in his master's theology. It begins by demonstrating changes between Episcopius' early theological works and Arminius' writings, and then even greater changes in his mature theological work, Institutiones Theologicæ. It defends the idea that Arminianism represented a pre-Calvinist movement within the Netherlands, which not only rejected Genevan predestination, but also intentionally moved away from Reformed Scholasticism. This book is useful for seminars in early Arminian theology and the Arminian controversy in the Netherlands.
The Athenaeum
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The Literary Gazette
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The Spectator
A weekly review of politics, literature, theology, and art.
“The” Athenaeum
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Art-Union
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
