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Includes case studies of Massachusetts Ave. (Cambridge), Harvard Street (Brookline)and Elm Street (Somerville)
This book addresses the work of architect John Dalton (1927-2007), an important voice in mid-century modernism in Australia whose work, despite his being exhibited and published internationally and also winning several awards for his designs, is woefully little known. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, the book draws on previously unpublished archival documents, including Dalton's drawings and paintings, transcripts of lectures, letters and articles, plans and photographic images of built works, to characterize the architect not only as a very talented designer, but also...
Provides a comprehensive and detailed historical account of design from prehistory to the end of the twentieth century.
A collection of thought-provoking essays on the changing face of domestic architecture over two centuries, highlighting the wide range of source materials and theoretical perspectives available to scholars of architectural history.
A heavily illustrated classic on the evolution of the handloom. The handloom—often no more than a bundle of sticks and a few lengths of cordage—has been known to almost all cultures for thousands of years. Eric Broudy places the wide variety of handlooms in their historical context. What influenced their development? How did they travel from one geographic area to another? Were they invented independently by different cultures? How have modern cultures improved on ancient weaving skills and methods? Broudy shows how virtually every culture has woven on handlooms. He highlights the incredible technical achievement of early cultures that created magnificent textiles with the crudest of tools and demonstrates that modern technology has done nothing to surpass their skill or inventiveness.
First multi-year cumulation covers six years: 1965-70.
Explores the development of the graphic arts from the earliest examples of true prints made in the Far East over a millennium ago to the latest experiments with new materials that have allowed the print to assume surprising three-dimensional forms.
This book examines the relationship between social practices and built space, focusing on current cooperative/participative and posthuman approaches to its production and management. From a social-cultural-and-ecological perspective, it explores the modes of engagement of all factors in the constitutional processes of inhabited space. Throughout this interdisciplinary collection, built space is reconsidered in the light of other schools of thought such as philosophy, anthropology, social sciences and political theories and practices. It covers new ground at conceptual, epistemic and methodological levels, focusing on inhabited space from within the framework of globalisation, biopolitics, cu...