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A Global History of Architecture
A GLOBAL HISTORY OF ARCHITECTURE NOW FEATURING ADDITIONAL COVERAGE OF CONTEMPORARY GLOBAL ARCHITECTURE AND MORE SUPERB DRAWINGS BY FRANCIS D.K. CHING! The book that forever changed the way architectural history is viewed, taught, and studied, A Global History of Architecture examines 5,000 years of the built environment. Spanning from 3,500 BCE to the present, and organized along a global timeline, this unique guide was written by experts in their fields who emphasize the connections, contrasts, and influences of architectural movements throughout history and around the world. Fully updated and revised to reflect current scholarship, this Third Edition features expanded chapter introductions...
The Troubles With Postmodernism
In this original and eye-opening study, Stefan Morawski sheds light on the often confused debate about postmodernism, postmodernity and human values. Drawing upon a wide range of evidence from the experience of everyday life in the sciences, religion, visual arts, literature, film, television and contemporary music, The Troubles with Postmodernism is an indispensable guide to our understanding and evaluation of contemporary literature.
Architecture, Liberty and Civic Order
This book brings to light central topics that are neglected in current histories and theories of architecture and urbanism. These include the role of imitation in earlier centuries and its potential role in present practice; the necessary relationship between architecture, urbanism and the rural districts; and their counterpart in the civil order that builds and uses what is built. The narrative traces two models for the practice of architecture. One follows the ancient model in which the architect renders his service to serve the interests of others; it survives and is dominant in modernism. The other, first formulated in the fifteenth century by Leon Battista Alberti, has the architect use...
Concise Dictionary of Women Artists
The Concise Dictionary of Women Artists provides an alternative history of Western art from the Middle Ages to the present day. In 200 entries it examines the lives, working conditions, and most of all, the work of a remarkable group of artists.
Art History: The Basics
Art History: The Basics is a concise and accessible introduction for the general reader and the undergraduate approaching the history of art for the first time at college or university. It will give you answers to questions like: What is art and art history? What are the main methodologies used to understand art? How have ideas about form, sex and gender shaped representation? What connects art with psychoanalysis, semiotics and Marxism? How are globalization and postmodernism changing art and art history? Each chapter introduces key ideas, issues and debates in art history, including information on relevant websites and image archives. Fully illustrated with an international range of artistic examples, Art History: The Basics also includes helpful subject summaries, further ideas for reading in each chapter, and a useful glossary for easy reference.
Christianopolis
The Christianopolis (1619) of Johann Valentin Andreae describes in great detail a utopian community of scholar-craftsmen, as seen through the eyes of a naïve young traveller. It is a multi-level text, carefully constructed to provide both entertainment and a critique of contemporary society and religion, which could also be read as the prospectus for the establishment of a new community. This new translation aims to clarify Andreae's elliptical Latin for the first time by identifying parallel passages, allusions and sources for his ideas, and by linking Christianopolis with Andreae's other work as satirist, dramatist, poet and mathematician. A new model of his revision of ideas drawn from Campanella is put forward, and the politico-economic principles embodied in the text are explored. The translation should be of interest to students of the history of utopian ideas, and the history of economic thought.
Christianopolis
Johann Valentin Andrere (1586-1654) was a multi-faceted product of late Reformation Germany. A theologian who was firmly committed to the Lutheran confession, he could yet see very c1early the flaws in his church and argue for their reform; without being an ecumenicist in the modern sense, he yet admired many aspects of the society he observed in Calvinist Geneva, and he recognised the outstanding merit of individual Catholic scholars. A linguist and a lover of art and music, he was the friend of scientists and an enthusiastic student of mathematics whö held that science leads both to an appreciation of the wonders of the material world and its rejection in favour of more spiritual concerns...
Hybridity
Over the last two decades, the unstable notion of hybridity has been the focus of a number of debates in cultural and literary studies, and has been discussed in connection with such notions as métissage, creolization, syncretism, diaspora, transculturation and in-betweeness. The aim of this volume is to form a critical assessment of the scope, significance and role of the notion in literature and the visual arts from the eighteenth century to the present day. The contributors propose to examine the development and various manifestations of the concept as a principle held in contempt by the partisans of racial purity, a process enthusiastically promoted by adepts of mixing and syncretism, b...
International Postmodernism
Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodern...
