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Cassell's Dictionary of Slang
With its unparalleled coverage of English slang of all types (from 18th-century cant to contemporary gay slang), and its uncluttered editorial apparatus, Cassell's Dictionary of Slang was warmly received when its first edition appeared in 1998. 'Brilliant.' said Mark Lawson on BBC2's The Late Review; 'This is a terrific piece of work - learned, entertaining, funny, stimulating' said Jonathan Meades in The Evening Standard.But now the world's best single-volume dictionary of English slang is about to get even better. Jonathon Green has spent the last seven years on a vast project: to research in depth the English slang vocabulary and to hunt down and record written instances of the use of as many slang words as possible. This has entailed trawling through more than 4000 books - plus song lyrics, TV and movie scripts, and many newspapers and magazines - for relevant material. The research has thrown up some fascinating results
Old and New London
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Churchill
Written in the tradition of Stefan Zweig’s biographical studies, Haffner’s Churchill is a concise, effective, warts-and-all analysis of one of the giants of the twentieth century. Beginning with a brief history of the Churchill family, Haffner examines the future Prime Minister’s childhood; his early failures in school and in politics; his indomitable energy and drive; how he managed to become an inspirational figure to anti-Nazis all over the world; and how he managed to seize success from the jaws of defeat over and over again. Compact, elegant and incisive, this is the one book about Churchill that is a must-read. “One of the most brilliant things of any length written about Churc...
The Ultimate Enemy
How realistically did the British government assess the threat from Nazi Germany during the 1930s? How accurate was British intelligence's understanding of Hitler's aims and Germany's military and industrial capabilities? In The Ultimate Enemy, Wesley K. Wark catalogues the many misperceptions about Nazi Germany that were often fostered by British intelligence.This book, the product of exhaustive archival research, first looks at the goals of British intelligence in the 1930s. He explains the various views of German power held by the principal Whitehall authorities—including the various military intelligence directorates and the semi-clandestine Industrial Intelligence Centre—and he desc...
Richard Marsh
‘Richard Marsh’ (Richard Bernard Heldmann, 1857–1915) was a bestselling, versatile and prolific author of gothic, crime, adventure, romantic and comic fiction. This book, the first on Marsh, establishes his credentials as a significant agent within the fin de siècle gothic revival. Marsh’s work spans a range of gothic modes, including the canonical fin de siècle subgenres of urban and imperial gothic and gothic-inflected sensation and supernatural fiction, but also rarer hybrid genres such as the comic gothic and the occult romance. His greatest success came in 1897 when he published his bestselling invasion narrative The Beetle: A Mystery, a novel that articulated many of the key themes of fin de siècle urban gothic and outsold its close rival, Bram Stoker’s Dracula, well into the twentieth century. The present work extends studies of Marsh’s literary production beyond The Beetle, contending that, in addition to his undoubted interest in non-normative gender and ethnic identities, Marsh was a writer with an acute sense of spatiality, whose fiction can be read productively through the lens of spatial theory.
