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The Romantic Crowd
In the long eighteenth century, sympathy was understood not just as an emotional bond, but also as a physiological force, through which disruption in one part of the body produces instantaneous disruption in another. Building on this theory, Romantic writers explored sympathy as a disruptive social phenomenon, which functioned to spread disorder between individuals and even across nations like a 'contagion'. It thus accounted for the instinctive behaviour of people swept up in a crowd. During this era sympathy assumed a controversial political significance, as it came to be associated with both riotous political protest and the diffusion of information through the press. Mary Fairclough reads Edmund Burke, Mary Wollstonecraft, William Godwin, John Thelwall, William Hazlitt and Thomas De Quincey alongside contemporary political, medical and philosophical discourse. Many of their central questions about crowd behaviour still remain to be answered by the modern discourse of collective psychology.
“The” Athenaeum
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The Athenaeum
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Tales from the Cloud Walking Country
Assembled here are seventy-eight stories from six of the "ballad-singingest, tale-tellingest" residents of the eastern Kentucky mountain country. Based on stories rooted in European traditions from German fairy tales to Irish hero stories to Greek myths, the tales had been handed down through generations of telling before Marie Campbell collected them in the late 1920s and early 1930s. Readers will recognize the story of Snow White in "A Stepchild That Was Treated Mighty Bad," while "Three Shirts and a Golden Finger Ring" recalls the fairy tale of the Seven Swans. "The Fellow That Married A Dozen Times" is a lively rendition of "Bluebeard." As the narrators cautioned Marie Campbell again and again, "Tale-telling is nigh about faded out in the mountain country," but Tales from the Cloud Walking Country offers a lasting record of history, cultural heritage, language, and good old-fashioned fun.
The academy
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House documents
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