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"This work has two aims : to represent and exhibit the better Literature of History in the English language, and to give it an organized body--a system--adapted to the greatest convenience in any use, whether for reference, or for reading, for teacher, student, or casual inquirer."--V. 1, Preface.
This study concerns itself with a now-forgotten religious group, Spiritualists, and how their ensuing discussions of Shakespeare's meaning, his writing practices, his possible collaborations, and the supposed purity and/or corruption of his texts anticipated, accompanied, or silhouetted similar debates in Shakespeare Studies.
A personal and cultural portrait of Ambassador Jules Jusserand who provided a vital link between France and the United States before, during, and after the First World War.
Part 1, Books, Group 1, v. 25 : Nos. 1-121 (March - December, 1928)
Between 1900 and 1950, many internationalist U.S. women referred to themselves as "citizens of the world." This book argues that the phrase was not simply a rhetorical flourish; it represented a demand to participate in shaping the global polity and an expression of women's obligation to work for peace and equality. The nine women profiled here invoked world citizenship as they promoted world government—a permanent machinery to end war, whether in the form of the League of Nations, the United Nations, or a full-fledged world federation. These women agreed neither on the best form for such a government nor on the best means to achieve it, and they had different definitions of peace and diff...
In 1912, Mary Vaux, a botanist, glaciologist, painter, and photographer, wrote about her mountain adventures: "A day on the trail, or a scramble over the glacier, or even with a quiet day in camp to get things in order for the morrow's conquests? Some how when once this wild spirit enters the blood...I can hardly wait to be off again." Vaux's compulsion was shared by many women whose intellects, imaginations, and spirits rose to the challenge of the mountains between the late-nineteenth and mid-twentieth centuries. This Wild Spirit explores a sampling of women's creative responses--in fiction and travel writing, photographs and paintings, embroidery and beadwork, letters and diaries, poetry and posters--to their experiences in the Rocky Mountains of Canada.