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Calcutta Review
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Journal
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The Hispano-Portuguese Empire and Its Contacts with Safavid Persia, the Kingdom of Hormuz and Yarubid Oman from 1489 to 1720
Given the important role that the Portuguese played in the Persian Gulf from 1507 to 1720, knowing what is available about their activities in this area is not only of importance to those interested in the history of Portugal, but also of those interested in the history of Bahrein, Iran, Iraq, Oman, Qatar, eastern Saudi Arabia and the United Arab Emirates. This bibliography of printed published works therefore contains a full list of primary and secondary sources, not only in Western languages, but also in Persian, Arabic and Turkish. It aims to facilitate the work of scholars and students, but also of the non-specialist, i.e. those among the general public who want to know more about this part of the world during the sixteenth and seventeenth centuries and about the activities of the Portuguese. Although other bibliographies exist that include the activities of the Portuguese in the Persian Gulf, all are in need of updating, and none are as comprehensive as this bibliography.
Impressed by Light
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur p...
Dictionary of Newfoundland English
First published in 1982 to international acclaim, the Dictionary of Newfoundland English introduced the world to an incredibly rich dialect with deep roots in Ireland and the English West Country.
Bridges to Islam
In the acclaimed book Muslim Evangelism, Phil Parshall devotes one chapter to "bridges" which can assist in facilitating understanding between Islam and Christianity. In Bridges to Islam he expands that key chapter into a book. The most promising bridges can be found not in orthodox Islam, contends the author, but in "folk Islam", which is less well known in the West but which influences about 70 percent of the world's Muslims. "Popular Islam consists largely of people who desire to know God and to be accepted by him", writes the author. "They have a high view of one God who is . . . all-powerful and merciful." The mystical Sufis press for a more satisfying personal relationship with Allah. These teachings and aspirations, argues the author, have immense potential as bridges, which he has personally witnessed spending many years ministering among Muslims. This thorough and in depth study of ways to bridge folk Islam will be invaluable to missionaries, students, and those interested in reaching Muslims for Christ.
Theravada Buddhism and the British Encounter
This major new work explores the British encounter with Buddhism in nineteenth century Sri Lanka, examining the way Buddhism was represented and constructed in the eyes of the British scholars, officials, travellers and religious seekers who first encountered it. Tracing the three main historical phases of the encounter from 1796 to 1900, the book provides a sensitive and nuanced exegesis of the cultural and political influences that shaped the early British understanding of Buddhism and that would condition its subsequent transmission to the West. Expanding our understanding of inter-religious relations between Christians and Buddhists, the book fills a significant gap in the scholarship on Theravada Buddhism in Sri Lanka by concentrating on missionary writings and presenting a thorough exploration of original materials of several important pioneers in Buddhist studies and mission studies.
Sexual Restraint and Aesthetic Experience in Victorian Literary Decadence
Sarah Green shows how late Victorian Decadent literature paradoxically treats sexual restraint as healthy and aesthetically productive.
