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An investigation of how popular modernist writers handled their fame.
"Set against the backdrop of the Italian front at the end of World War II, Loren Wahl's controversial novel recounts, in a compact narrative set in five intense days, the passions and prejudices that boil inside an African-American company of soldiers commanded by a racist white captain and visited by an Italian-American lieutentant who falls in love with one of the soldiers. "The Invisible Glass" explores themes of homophobia and racism as well as their relationship to each other and to the culture of the military-a topic that is still making headlines today."--GoogleBooks.
Carole King's Tapestry is both an anthemic embodiment of second-wave feminism and an apotheosis of the Laurel Canyon singer-songwriter sound and scene. And these two elements of the album's historic significance are closely related insofar as the professional autonomy of the singer-songwriter is an expression of the freedom and independence women of King's generation sought as the turbulent sixties came to a close. Aligning King's own development from girl to woman with the larger shift in the music industry from teen-oriented singles by girl groups to albums by adult-oriented singer-songwriters, this volume situates Tapestry both within King's original vision as the third in a trilogy (preceded by Now That Everything's Been Said and Writer) and as a watershed in musical and cultural history, challenging the male dominance of the music and entertainment industries and laying the groundwork for female dominated genres such as women's music and Riot Grrrl punk.
Responsible for such landmark publications as Lady Chatterley's Lover, Tropic of Cancer, Naked Lunch, Waiting for Godot,The Wretched of the Earth , and The Autobiography of Malcolm X, Grove Press was the most innovative publisher of the postwar era. Counterculture Colophon tells the story of how the press and its house journal, The Evergreen Review, revolutionized the publishing industry and radicalized the reading habits of the "paperback generation." In the process, it offers a new window onto the 1960s, from 1951, when Barney Rosset purchased the fledgling press for $3,000, to 1970, when the multimedia corporation into which he had built the company was crippled by a strike and feminist t...
Chapter 12. "My Ghost Life": Russell Banks and the Limits of Aesthetic Democracy - Sean McCann -- Chapter 13. Getting Real: From Mass Modernism to Peripheral Realism - Donal Harris -- Chapter 14. From Modernism to Metamodernism: Quantifying and Theorizing the Stages of the Program Era - Seth Abramson -- Afterword. And Then What? - Mark McGurl -- Contributors -- Index
DIVA newscaster’s son disappears, and Amos Walker dives into the depths of Detroit to rescue the boy/divDIV/divDIVOn screen, Sandy Broderick is everything a newscaster is supposed to be. He has a deep voice, a ten-thousand-watt smile, and the God-given ability to banter with weathermen until his ears fall off. But when the cameras turn off, he has a private problem: His twenty-year old son, Bud, has disappeared. Amos Walker is going to find him./divDIV /divDIVThe boy and his junkie girlfriend are both gone, and Broderick is terrified—not for his son, but for his career. The station is about to do an exposé on drugs in Detroit, and the newscaster doesn’t want his boy’s addict girlfriend to get in the way of his Pulitzer. This new client may be sleazy, but Walker handles scum for a living, and it’s time to go to work./divDIV /divDIVThis ebook features an illustrated biography of Loren D. Estleman including rare photos from the author’s personal collection./div
One of the world's most singular guitarists, Loren Connors has wrung distinct shades of ephemeral blues from his guitar, its sound ever-shifting while remaining unmistakably his own in more than 100 records across almost four decades. In the mid-80s, Connors took a partial break from music and focused instead on the art of haiku, for which he received the Lafcadio Hearn Award in 1987. With his wife Suzanne Langille he also co-wrote an article on blues and haiku, "The Dancing Ear," published in the Haiku Society of America's journal. It was during this period that Connors penned the material that appears in Autumn's Sun, a chapbook first published by Thurston Moore and Byron Coley's Glass Eye...
In The Program Era, Mark McGurl offers a fundamental reinterpretation of postwar American fiction, asserting that it can be properly understood only in relation to the rise of mass higher education and the creative writing program. McGurl asks both how the patronage of the university has reorganized American literature and—even more important—how the increasing intimacy of writing and schooling can be brought to bear on a reading of this literature. McGurl argues that far from occasioning a decline in the quality or interest of American writing, the rise of the creative writing program has instead generated a complex and evolving constellation of aesthetic problems that have been explore...
The subject of endless biographies, fictional depictions, and critical debate, Ernest Hemingway continues to command attention in popular culture and in literary studies. He remains both a definitive stylist of twentieth-century literature and a case study in what happens to an artist consumed by the spectacle of celebrity. The New Hemingway Studies examines how two decades of new-millennium scholarship confirm his continued relevance to an era that, on the surface, appears so distinct from his—one defined by digital realms, ecological anxiety, and globalization. It explores the various sources (print, archival, digital, and other) through which critics access Hemingway. Highlighting the latest critical trends, the contributors to this volume demonstrate how Hemingway's remarkably durable stories, novels, and essays have served as a lens for understanding preeminent concerns in our own time, including paranoia, trauma, iconicity, and racial, sexual, and national identities.
"With her debut erotic romance CRASH INTO YOU, Roni Loren has penned a sexy, sizzling tale that is sure to have readers begging for more!" -Jo Davis, author of I Spy a Dark Obsession Brynn LeBreck has dedicated herself to helping women in crisis, but she never imagined how personal her work would get, or where it would take her. Her younger sister is missing, suspected to be hiding from cops and criminals alike at a highly secretive BDSM retreat-a place where the elite escape to play out their most extreme sexual fantasies. To find her, Brynn must go undercover as a sexual submissive. Unfortunately, The Ranch is invitation only. And the one master who can get her in is from the darkest corner of Brynn's past. Brynn knows what attorney Reid Jamison is like once stripped of his conservative suit and tie. Years ago she left herself vulnerable only to have him crush her heart. Now she needs him again. Back on top. And he's all too willing to engage. But as their primal desires and old wounds are exposed, the sexual games escalate-and so does the danger. Their hearts aren't the only things at risk. Someone else is watching, playing by his own rules. And his game could be murder.