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World Film Locations: Barcelona
Barcelona is one of the world’s most beautiful cities. A permanent showcase of the work of acclaimed architect Antoni Gaudí, it also has a long and rich cinematic legacy. Great directors from all over the world – among them Woody Allen, Pedro Almodóvar and Michelangelo Antonioni – have set their films there. World Film Locations: Barcelona is the first book of its kind to explore the rich cinematic history of this seductive Catalonian city. The illuminating essays collected here cover essential themes of the city’s cinematic history, including the origins of cinema in Barcelona; the role of Ciutat Vella (old quarter) as a film set; the influential Barcelona School of the 1960s; the film presence of Gaudí and his work; changing attitudes and urban renewal before and after the 1992 Olympics; and the emergence of a new generation of female filmmakers that have made Barcelona the centre of their cinematic explorations. This book will be a welcome addition to the libraries of anyone enchanted by the beauty of Barcelona, whether in person on the big screen.
Miradas Sobre Pasado Y Presente en El Cine Espanol (1990-2005)
El cine español contemporáneo (1990-2005) dedica mucha atención a la rememoración del pasado (Segunda República, la Guerra Civil, el período franquista,¿) y la realidad social (el paro, la violencia doméstica, inmigración, eutanasia,¿). Directores renombrados como Pedro Almodóvar, Alejandro Amenábar, Fernando León de Aranoa, Icíar Bollaín, o Isabel Coixet, muestran este interés dentro de sus miradas cinematográficas. La gran popularidad de este cine ha estimulado su migración en pantallas ajenas y dentro de contextos universitarios nacionales e internacionales. Este libro reúne unos veinte artículos, de investigadores americanos y europeos, que ilustran las múltiples tradiciones culturales en vigor dentro de los estudios cinematográficos, y que se enfocan al mismo tiempo en el tema central del libro: ¿Cómo se puede leer, la mirada de los autores españoles, sobre el pasado y el presente, dentro del contexto de su cine nacional?
Dialectics of the Goddess in Japanese Audiovisual Culture
Through provocative essays by specialists in different aspects of Japanese culture, this book provides an historical and analytical survey of the presence of Goddesses in Japanese audiovisual culture from its origins to the present day. It shows how these feminine myths are represented in Japan; not only as beneficial or creative deities, but also the archetypal strong or dominant woman that sometimes overshadows masculine figures and heroes, or as influential figures. Therefore, it analyzes this rich dialectic of the feminine and how the audiovisual culture has represented it thus far in film, TV series, and video games made in Japan. While many theories have been proposed to explain the presence of Goddesses in Japan, this book’s focus on audiovisual culture explores how this corpus challenges the traditional conceptions of the feminine as related to Goddesses.
'Hamlet' and World Cinema
Reveals a rich cinematic history, discussing Hamlet films from Africa, Asia, Europe, Latin America and the Middle East.
Japanese Media Cultures in Japan and Abroad: Transnational Consumption of Manga, Anime, and Media-Mixes
In the last few decades, Japanese popular culture productions have been consolidated as one of the most influential and profitable global industries. As a creative industry, Japanese Media-Mixes generate multimillion-dollar revenues, being a product of international synergies and the natural appeal of the characters and stories. The transnationalization of investment capital, diversification of themes and (sub)genres, underlying threat in the proliferation of illegal audiences, development of internet streaming technologies, and other new transformations in media-mix-based production models make the study of these products even more relevant today. In this way, manga (Japanese comics), anime...
The Routledge Handbook of CoFuturisms
The Routledge Handbook of CoFuturisms delivers a new, inclusive examination of science fiction, from close analyses of single texts to large-scale movements, providing readers with decolonized models of the future, including print, media, race, gender, and social justice. This comprehensive overview of the field explores representations of possible futures arising from non-Western cultures and ethnic histories that disrupt the “imperial gaze”. In four parts, The Routledge Handbook of CoFuturisms considers the look of futures from the margins, foregrounding the issues of Indigenous groups, racial, ethnic, religious, and sexual minorities, and any people whose stakes in the global order of envisioning futures are generally constrained due to the mechanics of our contemporary world. The book extends current discussions in the area, looking at cutting-edge developments in the discipline of science fiction and diverse futurisms as a whole. Offering a dynamic mix of approaches and expansive perspectives, this volume will appeal to academics and researchers seeking to orient their own interventions into broader contexts.
Future Intelligent Systems and Networks 2019
In this Special Issue, we present current developments and future directions of future intelligent systems and networks. This is the second Special Issue regarding the future of the Internet. This subject remains of interest for firms applying technological possibilities to promote more innovative business models. This Special Issue widens the application of intelligent systems and networks to firms so that they can evolve to more innovative models. The five contributions highlight useful applications, business models, or innovative practices based on intelligent systems and networks. We hope our findings become an inspiration for firms operating in various industries.
Spanish Film Cultures
The past four decades have seen the Spanish film industry rise from isolation in the 1970s to international recognition within European and World Cinema today. Exploring the cultural and political imperatives that governed this success, this book shows how Spanish film culture was deliberately and strategically shaped into its current form.
A History of Spanish Film
A History of Spanish Film explores Spanish film from the beginnings of the industry to the present day by combining some of the most exciting work taking place in film studies with some of the most urgent questions that have preoccupied twentieth-century Spain. It addresses new questions in film studies, like 'prestige film' and 'middlebrow cinema', and places these in the context of a country defined by social mobility, including the 1920s industrial boom, the 1940s post-Civil War depression, and the mass movement into the middle classes from the 1960s onwards. Close textual analysis of some 42 films from 1910-2010 provides an especially useful avenue into the study of this cinema for the s...
The Global Cultural Capital
This book argues the crucial role of culture and cultural policies in defining the notion of urban citizenship in Barcelona since 1979. Through analysis of official documents, municipal publicity campaigns, sport – including the Olympic Games and Barcelona F.C – and film, Balibrea makes sense of the city as a global cultural destination and reveals how such transformation impacts local inhabitants. Scrutinizing municipal discourses on culture from the late 1970s, this interdisciplinary work unveils how ideas of the function and nature of citizenship articulate changing definitions of the city, from model to brand. Over the course of topics such as: tourism, social democracy and urban regeneration, Balibrea constructs an original argument for how the Barcelona image mobilizes neoliberal fantasies of subject transformation. A wide-ranging study, this book will be of great interest to scholars of urban geography, sociology and cultural studies.
