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Cather Studies
Volume 2 of Cather Studies demonstrates the range of topics and approaches in contemporary discussions of Willa Cather?s work for the informed reader or the specialized student.This volume includes major essays on Cather's response to the cultural pessimism of Oswald Spengler, her affinities to Alphonse Daudet, and aspects of her art in My Antonia, The Professor's House, and Shadows on the Rock.
Journal of the House of Representatives of the United States
Some vols. include supplemental journals of "such proceedings of the sessions, as, during the time they were depending, were ordered to be kept secret, and respecting which the injunction of secrecy was afterwards taken off by the order of the House."
Willa Cather
Previous biographies of Willa Cather have either recycled the traditional view of a writer detached from social issues whose work supported a wholesome view of a vanished America, or they have focused solely on revelations about her private life. Challenging these narrow interpretations, Janis P. Stout presents a Cather whose life and quietly modernist work fully reflected the artistic and cultural tensions of her day. A product of the South--she was born in Virginia--Cather went west with her family at an early age, a participant in the aspirations of Manifest Destiny. Known for her celebrations of immigrants on the prairie, she in fact shared many of the ethnic suspicions of her contempora...
Louise Pound
Louise Pound (1872 1958) was a distinguished literary scholar, renowned athlete, accomplished musician, and devoted women s sports advocate. She is perhaps best remembered for her groundbreaking work in the field of linguistics and folklore and for her role as the first woman president of the Modern Language Association. A member of a distinguished Nebraska family that included her brother, the prominent legal scholar Roscoe Pound, Louise completed her undergraduate education at the University of Nebraska. When American universities wouldn t admit her for graduate study, she went on to obtain a PhD in Heidelberg, Germany. She returned to the University of Nebraska Lincoln to teach in the Eng...
Willa Cather and Modern Cultures
Linking Willa Cather to ?the modern? or ?modernism? still seems an eccentric proposition to some people. Born in 1873, Cather felt tied to the past when she witnessed the emergence of twentieth-century modern culture, and the clean, classical sentences in her fiction contrast starkly with the radically experimental prose of prominent modernists. Nevertheless, her representations of place in the modern world reveal Cather as a writer able to imagine a startling range of different cultures. Divided into two sections, the essays in Cather Studies, Volume 9 examine Willa Cather as an author with an innovative receptivity to modern cultures and a powerful affinity with the visual and musical arts. From the interplay between modern and antimodern in her representations of native culture to the music and visual arts that animated her imagination, the essays are unified by an understanding of Cather as a writer of transition whose fiction meditates on the cultural movement from Victorianism into the twentieth century.ø
Willa Cather's Canadian and Old World Connections
Cather Studies 4 contains eighteen essays and elaborates a theme, ?Willa Cather?s Canadian and Old World Connections.? Such connections are central to Cather?s art and artistry. She transported much from the Old World to the New, shaping her antecedents to tell, in new ways, the stories of Nebraska, of the American Southwest, and especially of Quebec, in Shadows on the Rock. ø David Stouck details Cather?s numerous Canadian connections, Richard Millington treats her ?anthropological? re-creation of the cultural moment of seventeenth-century Quebec, and Franöois Palleau-Papin finds ?The Hidden French in Cather?s English.? A volume of lively and informed criticism, Cather Studies 4 vividly demonstrates Cather?s artistry and her work?s deep connections to the present cultural and critical moment.
Willa Cather and the Dance
Anna Pavlova's revolutionary debut in 1910 at the Metropolitan Opera House captivated the nation and introduced Americans to the charms of modern ballet. Willa Cather was among the first intellectuals to recognize that dance had suddenly been elevated into a new art form, and she quickly trained herself to become one of the leading balletomanes of her era. Willa Cather and the Dance: "A Most Satisfying Elegance" traces the writer's dance education, starting with the ten-page explication she wrote in 1913 for McClure's magazine called "Training for the Ballet." Cather's interest was sustained through her entire canon as she utilized characters, scenes, and images from almost all of the important dance productions that played in New York.
Klezmer America
Klezmer is a continually evolving musical tradition that grows out of Eastern European Jewish culture, and its changes reflect Jews' interaction with other groups as well as their shifting relations to their own history. But what happens when, in the klezmer spirit, the performances that go into the making of Jewishness come into contact with those that build different forms of cultural identity? Jonathan Freedman argues that terms central to the Jewish experience in America, notions like "the immigrant," the "ethnic," and even the "model minority," have worked and continue to intertwine the Jewish-American with the experiences, histories, and imaginative productions of Latinos, Asians, Afri...
The Study of Chivalry
In a series of essays readers will find information about modern scholarship on the subject of chivalry and various suggestions for ways to teach some familiar and unfamiliar chivalric materials. Short bibliographies are provided for teachers' further use.
The Voyage Perilous
They Voyage Perilousis the first extended interpretation of Willa Cather's writing within the literary tradition of romanticism. Although she partook of the familiar subjects and themes of the Wordsworthian school of romanticism, Cather was not nearly so concerned with what we see as how we see. Her intensely individual perspective, more creatively romantic than has been previously recognized, gave her work its own kind of elegant form. ø Susan J. Rosowski argues that Willa Cather early took up the romantic challenge to vindicate imaginative thought in a world threatened by materialism, then pursued it with remarkable consistency throughout her career. The early essays and stories set out t...
