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Winner of the Book of the Year Award for the Conference on Christianity and Literature.--Thomas H. Luxon, Dartmouth College "CHOICE"
Tells the full story of house music in Chicago, from its emergence to its queer remediation to its memorialization from the late '70s to the present.
This account of George Eliot's spiritual life reveals a writer who devoted the full span of her career to imagining a wide religious sensibility that could inform personal and social life. As we range among Eliot's many literary works, we encounter someone whose extraordinary art and intellect offers us company in the search for modern meaning.
This unique and comprehensive volume looks at the study of literature and religion from a contemporary critical perspective. Including discussion of global literature and world religions, this Companion looks at: Key moments in the story of religion and literary studies from Matthew Arnold through to the impact of 9/11 A variety of theoretical approaches to the study of religion and literature Different ways that religion and literature are connected from overtly religious writing, to subtle religious readings Analysis of key sacred texts and the way they have been studied, re-written, and questioned by literature Political implications of work on religion and literature Thoroughly introduced and contextualised, this volume is an engaging introduction to this huge and complex field.
Each essay in this Companion examines literary texts and a particular religious tradition to better understand both literature and religion.
Asks: how did ancient Cynic philosophy come to provide a name for its modern, unphilosophical counterpart, and what events caused such a dramatic reversal of cynicism's former meanings? This work traces the concept of cynicism from its origins as a philosophical way of life in Greek antiquity.
"In the world, but not of the world"--this has been the motto of the Free Church tradition. But to what extent can freedom and independence from "the world" be realized in modernity, and how have these churches fared so far? These are the questions with which this book wrestles. The particular focus is Sweden, where a state-facilitated hypermodernity has created what some call "the most modern nation in the world." The Swedish free churches have in many ways succumbed to the pressure of the modern welfare state and as a consequence lost their distinctive voice. The argument of this book is that the rediscovery of practices left behind might be a way for these churches to recover a solid, particular, and deeply Christian identity. In dialogue with William T. Cavanaugh, the authors argue for a return to concrete, social practices: asceticism, table grace, written prayers, a turn to tradition, and the Eucharist. Here are lost treasures that might prove invaluable for the modern church at large, with her dual citizenship in the modern nation-state and the kingdom of heaven.
The 1890s were once seen as marginal within the larger field of Victorian studies, which tended to privilege the realist novel and the authors of the mid-century. In recent decades, the fin de siècle has come to be viewed as one of the most dynamic decades of the Victorian era. Viewed by writers and artists of the period as a moment of opportunity, transition, and urgency, the 1890s are pivotal for understanding the parameters of the field of Victorian studies itself. This volume makes a case for why the decade continues to be an area of perennial fascination, focusing on transnational connections, gender and sexuality, ecological concerns, technological innovations, and other current critical trends. This collection both calls attention to the diverse range of literature and art being produced during this period and foregrounds the relevance of the Victorian era's final years to issues and crises that face us today.
An inside look at the music born, bred, and perfected in Chicago. Chicago house music originated in the city’s Black, gay underground in the late seventies and became one of the most popular musical genres in the world by the end of the century. In Chicago House Music: Culture and Community, Marguerite Harrold tells the story of the genre’s rise and the prolific creators who have sustained it for decades. You’ll learn about house music’s early innovators, like Ron Hardy and Frankie Knuckles, who transformed the social and political turmoil around them into a revolution in dance music. You’ll also hear remembrances from contemporary figures in the house community, like DJ Lady D, Av...
Offers a new interpretation of Butler's theology and suggests that exploration of his methods may contribute to modern thinking about ethics, language, the Church as well as religion and science.