You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The feminist thinkers in this collection are the designated "fifty-one key feminist thinkers," historical and contemporary, and also the authors of the entries. Collected here are fifty-one key thinkers and fifty-one authors, recognizing that women are fifty-one percent of the population. There are actually one hundred and two thinkers collected in these pages, as each author is a feminist thinker, too: scholars, writers, poets, and activists, well-established and emerging, old and young and in-between. These feminists speak the languages of art, politics, literature, education, classics, gender studies, film, queer theory, global affairs, political theory, science fiction, African American ...
Examining the lives and work of historical and contemporary feminist intellectuals, Feminist Thinkers and the Demands of Femininity explores the feminist struggle to "have it all." This fascinating interdisciplinary study focuses on how feminist thinkers throughout history have long striven to balance politics, intellectual work, and the material conditions of femininity. Taking a close look at this quest for an integrated life in the autobiographical and theoretical writings of well-known feminists such as Mary Wollstonecraft, Emma Goldman, and Simone de Beauvoir, alongside contemporary counterparts, like Azar Nafisi, Audre Lorde, and Ana Castillo, Marso moves beyond questions of who women are and what women want, adding an innovative personal dimension to feminist theory, showing how changing conceptions of femininity manifest themselves within all women’s lives.
The disturbing and intense films of Lars von Trier are often dismissed as misogynist, misanthropic, or anti-humanist. This book, however, invites us to engage with his work to found a new feminist vision and discover what might be distinctively hopeful for the future of our fragile human condition.
In Politics with Beauvoir Lori Jo Marso treats Simone de Beauvoir's feminist theory and practice as part of her political theory, arguing that freedom is Beauvoir's central concern and that this is best apprehended through Marso's notion of the encounter. Starting with Beauvoir's political encounters with several of her key contemporaries including Hannah Arendt, Robert Brasillach, Richard Wright, Frantz Fanon, and Violette Leduc, Marso also moves beyond historical context to stage encounters between Beauvoir and others such as Chantal Akerman, Lars von Trier, Rahel Varnhagen, Alison Bechdel, the Marquis de Sade, and Margarethe von Trotta. From intimate to historical, always affective though often fraught and divisive, Beauvoir's encounters, Marso shows, exemplify freedom as a shared, relational, collective practice. Politics with Beauvoir gives us a new Beauvoir and a new way of thinking about politics—as embodied and coalitional.
From popular films like Greta Gerwig’s Barbie (2023) to Chantal Akerman’s avant-garde classic Jeanne Dielman (1975), feminist cinema can provoke discomfort. Ambivalence, stasis, horror, cringe—these and other affects refuse the resolution of feeling good or bad, leaving viewers questioning and disoriented. In Feminism and the Cinema of Experience, Lori Jo Marso examines how filmmakers scramble our senses to open up space for encountering and examining the political conditions of patriarchy, racism, and existential anxiety. Building on Akerman’s cinematic lexicon and Simone de Beauvoir’s phenomenological attention to the lives of girls and women, Marso analyzes film and television by directors ranging from Akerman, Gerwig, Mati Diop, Catherine Breillat, and Joey Soloway to Emerald Fennell, Michaela Coel, Audrey Diwan, Alice Diop, and Julia Ducournau. Through their innovative and intentional uses of camera, sound, editing, and new forms of narrative, these directors use discomfort in order to invite viewers to feel like feminists and to sense the possibility of freedom.
DIVEssays that examine the Bush adminstration's deployment of feminist rhetoric and the effects of the administration's policies on women, feminism, and gender roles in the U.S./div
It Takes a Candidate serves as the first systematic, nationwide empirical account of the manner in which gender affects political ambition. Based on data from the Citizen Political Ambition Study, a national survey conducted on almost 3,800 'potential candidates', we find that women, even in the highest tiers of professional accomplishment, are substantially less likely than men to demonstrate ambition to seek elected office. Women are less likely than men to be recruited to run for office. They are less likely than men to think they are 'qualified' to run for office. And they are less likely than men to express a willingness to run for office in the future. This gender gap in political ambition persists across generations. Despite cultural evolution and society's changing attitudes toward women in politics, running for public office remains a much less attractive and feasible endeavor for women than men.
In this original work, Maria Pia Lara develops a new approach to public sphere theory and a novel understanding of the history of the feminist struggle.
A progenitor of modern egalitarianism, communitarianism, and participatory democracy, Jean-Jacques Rousseau is a philosopher whose deep concern with the relationship between the domains of private domestic and public political life has made him especially interesting to feminist theorists, but also has made him very controversial. The essays in this volume, representing a wide range of feminist interpretations of Rousseau, explore the many tensions in his thought that arise from his unique combination of radical and traditional perspectives on gender relations and the state. Among the topics addressed by the contributors are the connections between Rousseau&’s political vision of the egali...