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Peter Lorre: Face Maker
  • Language: en
  • Pages: 222

Peter Lorre: Face Maker

Peter Lorre described himself as merely a ‘face maker’. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang’s M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre’s screen performances were highly ambitious, and the terms of his employment were rarely restrictive. Lorre’s career was a complex negotiation between transnational identity, Hollywood filmmaking practices, the ownership of star images and the mechanics of screen performance.

The Lost One
  • Language: en
  • Pages: 696

The Lost One

The first full biography of this major actor draws upon more than 300 interviews, including conversations with directors Fritz Lang, Alfred Hitchcock, Billy Wilder, John Huston, Frank Capra, and Rouben Mamoulian, who speak candidly about Lorre, both the man and the actor.

The Animated Peter Lorre (hardback)
  • Language: en
  • Pages: 414

The Animated Peter Lorre (hardback)

Here are all known instances of the animated Peter Lorre in theatrical cartoons, TV shows, commercials, video games, and more, including abandoned projects, coincidences, connections, and apocrypha. Illustrated. Includes index, notes, and bibliography.

The Films of Peter Lorre
  • Language: en
  • Pages: 264

The Films of Peter Lorre

  • Type: Book
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  • Published: 1982
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  • Publisher: Unknown

None

Peter Lorre, Face Maker
  • Language: en
  • Pages: 223

Peter Lorre, Face Maker

Peter Lorre described himself as merely a 'face maker'. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang's M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre's screen performances were highly ambitious, and the terms of his employment were rarely restrictive. Lorre's career was a complex negotiation between transnational identity, Hollywood filmmaking practices, the ownership of star images and the mechanics of screen performance.

PETER LORRE
  • Language: en

PETER LORRE

  • Type: Book
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  • Published: Unknown
  • -
  • Publisher: Unknown

None

Peter Lorre
  • Language: en
  • Pages: 320

Peter Lorre

After coverning horror film icons Bela Lugosi, Boris Karloff, Lon Chaney, Jr. and Vincent Price, Midnight Marquee Press wanted to go in a slightly different direction for our fifth edition of the Actors Series, by highlighting quasi-horror man Peter Lorre. While the other entries in the series were predominantly horror film actors, Peter Lorre made many horror film appearances, but was never actually considered a horror film star. Instead, it was Lorre's persona, that of a quirky, deviant little man, sometimes charming, sometimes boiling over with venom, that made him a perfect match for horror films. However, Lorre also played opposite such mainstream stars as Clark Gable, Humphrey Bogart, Sydney Greenstreet, Kirk Douglas, Mickey Rooney and Bob Hope. Lorre felt just as comfortable enacting supporting roles in A films as he did starring in the Bs. This book takes an in-depth look at the film work of this versatile performer by providing analyses of films such as M, Mad Love, The Face Behind the Mask, The Maltese Falcon, The Raven and The Comedy of Terrors as well as many of the other films that made Peter Lorre a film legend.

The Lost One
  • Language: en
  • Pages: 680

The Lost One

Often typecast as a menacing figure, Peter Lorre achieved Hollywood fame first as a featured player and later as a character actor, trademarking his screen performances with a delicately strung balance between good and evil. His portrayal of the child murderer in Fritz Lang's masterpiece M (1931) catapulted him to international fame. Lang said of Lorre: "He gave one of the best performances in film history and certainly the best in his life." Today, the Hungarian-born actor is also recognized for his riveting performances in The Man Who Knew Too Much (1934), The Maltese Falcon (1941), and Casablanca (1942). Lorre arrived in America in 1934 expecting to shed his screen image as a villain. He ...

Man from the South (A Roald Dahl Short Story)
  • Language: en
  • Pages: 20

Man from the South (A Roald Dahl Short Story)

  • Type: Book
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  • Published: 2012-09-13
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  • Publisher: Penguin UK

Man from the South is a short, sharp, chilling story from Roald Dahl, the master of the shocking tale. In Man from the South, Roald Dahl, one of the world's favourite authors, tells a sinister story about the darker side of human nature. Here, a man takes part in a very unusual bet, one with appalling consequences . . . Man from the South is taken from the short story collection Someone Like You, which includes seventeen other devious and shocking stories, featuring the wife who serves a dish that baffles the police; a curious machine that reveals the horrifying truth about plants; the man waiting to be bitten by the venomous snake asleep on his stomach; and others. 'The absolute master of t...

Hollywood Celebrates the Holidays
  • Language: en
  • Pages: 192

Hollywood Celebrates the Holidays

Marvelously illustrated with more than 200 rare images from the silent era through the 1970s, this joyous treasure trove features film and television's most famous actors and actresses celebrating the holidays, big and small, in lavishly produced photographs. Join the stars for festive fun in celebrating a variety of holidays, from New Year's to Saint Patrick's Day to Christmas and everything in between. Legends such as Elizabeth Taylor, Joan Crawford, Judy Garland, and Audrey Hepburn spread holiday cheer throughout the calendar year in iconic, ironic, and illustrious style. These images, taken by legendary stills photographers, hearken back to the Golden Age of Hollywood, when motion picture studios devised elaborate publicity campaigns to promote their stars and to keep their names and faces in front of the movie-going public all year round.