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Lotfi Mansouri
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Lotfi Mansouri
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True Tales from the Mad, Mad, Mad World of Opera
When things go wrong at the opera house, they really go wrong. No one has a greater or more intimate knowledge of such moments than Mansouri. From the hilarious to the bizarre, this is a reader-friendly look at what is often thought of as an overly serious, even mysterious form of art.
Opera Viva
It started with a festival - three classic operas performed in a theatre in Toronto. But when it became apparent that there was a need for a national opera company, an organization was founded that would go on to become one of the largest performing arts organizations in the country. The Canadian Opera Company was born in 1950, and is now one of the major opera companies in North America. The Company has toured extensively throughout Canada and the United States, and has delighted audiences as far away as Australia and Hong Kong, all the while finding the time to record frequently and develop special operatic presentations for children. More than just a group of performers, the COC also prov...
Opening Windows
Stuart Hamilton, a well-known Canadian musician, has been in the forefront of music in Canada for more than 60 years. Along the way, he has encountered, as a vocal coach and accompanist, most of the great Canadian singers of the last half of the 20th century and some international ones, as well.
From Big Oil to Grand Opera
“Written with great clarity and just the right degree of dry humour, Michael Savage’s memoir is a pleasure to read. From his childhood in wartime England, to his successful global career in the oil industry, to his “second career” in opera and theatre, Savage is an entertaining and deeply informed guide to a world that he has seen transformed again and again. Running through it all is his deep concern for his fellow humans. This is best exemplified by his long-standing professional commitment to ensuring indigenous communities were always active participants in, and beneficiaries of, energy reserves found on their land. I first worked with Savage in Alaska in 1969 and his dedication ...
Corresponding with Carlos
Carlos Kleiber (1930-2004) was the greatest conductor of his generation. His reputation is legendary, and yet astonishingly, in his five decades on the podium, he conducted only 89 concerts, some 600 opera performances, and produced 12 recordings. How did someone who worked so little compared to his peers achieve so much? Between his relatively small output and well-known aversion to publicity, many came to regard Kleiber as reclusive and remote, bordering on unapproachable. But in 1989 a conducting student at Stanford University wrote him a letter, and an unusual thing occurred: the world-renowned conductor replied. And so began a 15-year correspondence, study, and friendship by mail. Drawi...
Jon Vickers
The first biography of a legendary tenor.
Friedelind Wagner
The first-ever biography of Richard Wagner's artistically gifted granddaughter who fought against Hitler's Germany but achieved no personal success for her troubles. She was not the 'black sheep' of her family, as often claimed, but a heroic rebel. Friedelind Wagner (1918-1991), Richard Wagner's independent-minded granddaughter, daughter of Siegfried and Winifred Wagner, despised her mother'sclose liaison with Adolf Hitler and was the only member of the Wagner clan who fled Germany in protest. Although Winifred warned her that the Nazis would 'exterminate' her, should she continue her open opposition, she travelled toLondon and published articles pillorying the Nazi élite. All the same, her...
Just Beyond Listening
Just Beyond Listening asks how we might think about encounters with sound that complicate standard accounts of aurality. In a series of essays, Michael C. Heller considers how sound functions in dialogue with a range of sensory and affective modalities, including physical co-presence, textual interference, and spectral haunting. The text investigates sound that is experienced in other parts of the body, altered by cross-wirings of the senses, weaponized by the military, or mediated and changed by cultural practices and memory. Building on recent scholarship in sound studies and affect theory, Heller questions not only how sound propagates acoustically but how sonic presences temper our total experience of the world around us.
