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Thirteen stories deal with men and women who are forced to adjust to life's challenges
Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.
Offers a thoroughly revised, comprehensive A to Z compilation of authoritative information on the education of those with special needs.
Explores the significance of athletics in North Carolina's colleges and universities, and examines how sports in the state have reflected social and economic shifts and issues, including women's competition and racial integration.
The SAGE Reference Series on Disability is a cross-disciplinary and issues-based series incorporating links from varied fields that make up Disability Studies. This volume tackles issues relating to education.
Poverty sucks. Dad's timing the family's showers and refusing to turn on the heating. Mum has arranged for Lou to get lifts to school with Drippy Dermot and his eccentric mother in the Van of Doom. And lentils seem to feature in every single meal. Lou is still coming down from her brief moment of TV super-stardom and getting to grips with the fact that - hold the news - she has a boyfriend, but with both parents out of work, life isn't all plain sailing. Throw in Hannah's obsession with the school prom, Dads strange shed activity and Lav s brief flirtation with a modelling career, and suddenly training a dance troupe to swim underwater seems like a walk in the park.
In 1961 the 22-year-old Mike Brown joined the New Zealand artist, Ross Crothall, in an old terrace house in inner Sydney's Annandale. Over the following two years the artists filled the house with a remarkable body of work. Launched with an equally extraordinary exhibition, the movement they called Imitation Realism introduced collage, assemblage and installation to Australian art for the first time. Laying the groundwork for a distinctive Australian postmodernism, Imitation Realism was also the first Australian art movement to respond in a profound way to Aboriginal art, and to the tribal art of New Guinea and the Pacific region. By the mid-1960s Brown was already the most controversial fig...