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God Gardened East
Working within two popular genres, gardening books and biblical meditations, God Gardened East offers a meditation on the first twenty-five chapters of Genesis, emphasizing the tropes of cultivation, wandering, and "the east." Reconceived in a post-9/11 environment, Ruprecht wrestles with difficult questions about the violent legacy of monotheism and traces some of this violence back to the foundational story of Abraham and his dislocation from his homeland.
This Tragic Gospel
This Tragic Gospel suggests that the "Gospel" of John intended to supplant the first three gospels and succeeded in gaining undue influence on the early churches. This study focuses on the tragic moment when Jesus prays for deliverance from his impending death in the garden of Gethsemane. Ruprecht contends that John rewrote this scene in order to convey a very different dramatic meaning from the one reflected in Mark's gospel. In John's version, not only did Jesus not pray to be spared, he actually mocked this prayer, embracing his imminent demise with godlike confidence. Ruprecht believes that this dramatic reinterpretation undermined the tragedy of Jesus's death as Mark imagined it and so ...
Symposia
Argues that the underlining of erotic matters in Plato's dialogues marks the most significant moment in his career.
Policing the State, Second Edition
The manner in which Kathryn Johnston died so tragically at the hands of Atlanta narcotics police on the evening of November 21, 2006, anticipates and informs a number of very contemporary--and extremely volatile--issues that have become closely associated with the name of Ferguson, Missouri. As the "Black Lives Matter" movement makes clear, the issues center primarily around the relationship between racial identity and lethal police violence in the United States today. In this Second Edition of Policing the State, Louis A. Ruprecht Jr. attempts to situate both "Ferguson" and "Black Lives Matter" within a relatively narrow historical frame of the two years since Policing the State was first published, as well as a longer history of the emergence of a more violent policing regime and an ever-more intensely carceral society that came on the scene quite suddenly in the United States in the mid-to-late 1980s.
Reach without Grasping
Anne Carson (b. June 21, 1950, in Toronto, Canada) is one of the most versatile of contemporary classicists, poets, and translators in the English language. In Reach without Grasping, Louis A. Ruprecht Jr. explores the role played by generic transgressions on the one hand, and by embodied spirituality on the other, throughout Carson’s ambitious literary career. Where others see classical dichotomies (soul versus body, classical versus Christian), Carson sees connection. Like Nietzsche before her, Carson decries the images of the Classics as merely bookish and of classicists as disembodied intellects. She has brought religious, bodily erotics back into the heart of the classical tradition.
Winckelmann and the Vatican's First Profane Museum
Offers the first-ever historical descriptions of the foundation of the "Museo Profano" inside the Vatican in 1761. Using the palace records from the Vatican's Secret Archives, Ruprecht demonstrates that the Vatican museum was the brainchild of J.J. Winckelmann, the so-called father of Art History.
Of Conflict and Concealment
Scholars have long debated the genre of the Gospels and many opinions have been put forward, such as biography, history, epic, or comedy. However, do the Gospels actually reflect these ancient genres? This book addresses this question and arrives at the conclusion that the Gospel of Mark was written as an ancient form of tragedy. Why would this matter to ancient or modern readers? Tragedy addresses the fundamental question of humanity’s suffering and offers a philosophical perspective that orients the reader towards personal and societal growth. The Gospel of Mark fits within the tradition of tragic writings and speaks to the same challenges that all humanity faces: life is full of trouble and suffering, so how are we supposed to think about these things? The answer is to be found in Jesus, who is both divine and human, and who suffers as a result of engaging in conflict with the religious and political traditions of his time.
Instilling Ethics
Fifteen essays, presented by Thompson (political science, Yale U.) Explore both historical and contemporary issues of ethics (mostly in the political and social sphere). After separate treatments of the ethical thinking of Aristotle, Cicero, Machiavelli, Rousseau, Kant, Nietzsche, and others, the final third of the essays discuss such issues as the failure of ethics in American government, ethical considerations of information technology, and the paradox of trying to establish societal notions of right and wrong on individual judgements of ethics. Annotation copyrighted by Book News, Inc., Portland, OR
The Troubled Dream of Life
Drawing on his own experience, and on literature, philosophy, and medicine, Daniel Callahan offers great insight into how to deal with the rewards of modern medicine without upsetting our perception of death. He examines how we view death and the care of the critically ill or dying, and he suggests ways of understanding death that can lead to a peaceful acceptance. Callahan's thoughtful perspective notably enhances the legal and moral discussions about end-of-life issues. Originally published in 1993 by Simon and Schuster.
Quatremère de Quincy's Moral Considerations on the Place and Purpose of Works of Art
Antoine Chrysostome Quatremère de Quincy (1755-1849) was the most important Neoclassical art historian in the generation after Johann Joachim Winckelmann (1717-1768). It is difficult now to appreciate his importance, due in part to the lack of translations of his 21 published books: three were rendered into English in the 19th century, and one in the 21st. The Moral Considerations has long been considered the most shattering polemic against public museums ever written. But I will show that Quatremère’s polemic was aimed, not against museums per se, but rather against the imperialist and secularist curatorial purposes of Parisian museums in the age of Revolution. His Neoclassical commitments maintained the centrality of religion, and of incarnation, to any proper understanding of the place and purpose of the fine arts.
