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Rubin, a Charleston native, reflects on his years working for newspapers around the South before settling on a teaching career.
"Writer and literary scholar Rubin turns his thoughts to World War I and its aftermath, a subject of lifelong fascination for him. Topics range from tactics used at the naval battle of Jutland, to critiques of revisionist histories of Winston Churchill, to the war's impact on literature"--Provided by publisher.
Fictional character Omar Kohn recalls his fifteenth summer. Story set in Charleston, S.C., in the late 1930s.
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With perfect pitch and an unerring eye for detail, Rubin transports readers to Charleston, South Carolina, 1940, in a riveting tale of romance and mystery. When a rookie newspaper reporter comes to Charleston to be near his fiance, he discovers a shocking truth about her past and her father's sordid business deals.
John Crowe Ransom, Allen Tate, Donald Davidson, and Robert Penn Warren—each began his career as one of the coterie of southern poets centered at Vanderbilt University who attracted national attention with their publication of The Fugitive magazine in the early 1920s and the celebrated essays in I’ll Take My Stand. Collectively known as the Fugitives (or Agrarians as they were later called) they became ardent and influential participants in the regionalist-proletarian literary controversies of the Depression decades. Each of the four poets was personally concerned with the connection between their creative work and the social realities around them. In The Wary Fugitives Louis Rubin masterfully explores and illustrates the relationships between their poetry, novels, and literary criticism, and their work as social critics. He conducts, in the process, a revealing and provocative inquiry into the connection between American history and the twentieth-century South.