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The First World Festival of Negro Arts, Dakar 1966
This volume is the first sustained attempt to provide an overview of the First World Festival of Negro Arts, held in Dakar in 1966, and of its multiple legacies.
Race, Culture, and Identity
In this groundbreaking book, Shireen Lewis gives a comprehensive analysis of the literary and theoretical discourse on race, culture, and identity by Francophone and Caribbean writers beginning in the early part of the twentieth century and continuing into the dawn of the new millennium. Examining the works of Patrick Chamoiseau, Rapha`l Confiant, AimZ CZsaire, LZopold Senghor, LZon Damas, and Paulette Nardal, Lewis traces a move away from the preoccupation with African origins and racial and cultural purity, toward concerns of hybridity and fragmentation in the New World or Diasporic space. In addition to exploring how this shift parallels the larger debate around modernism and postmodernism, Lewis makes a significant contribution by arguing for the inclusion of Martinican intellectual Paulette Nardal, and other women into the canon as significant contributors to the birth of modern black Francophone literature.
The Athenaeum
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Africans on African-Americans
Between the end of the nineteenth century and the outbreak of World War 2, Africans displaced by colonial rule created an African-American myth - a myth which aggrandized the life and attainments of African Americans despite full knowledge of the discrimination to which they were subjected. The myth provided Africans in all parts of the continent with much needed succour and underpinned various religious, educational, political and social models based on the experience of African Americans whereby Africans sought to better their own lives.
Burden of Empire
Since its publication in 1967, Burden of Empire has been widely praised and criticized for its controversial approach to the problem of colonialism in Africa. The authors have challenged the new "orthodoxy" about Africa—the belief that little but evil and exploitation has resulted from the era of European colonialism.
Critical Affinities
Critical Affinities is the first book to explore the multifaceted relationship between the philosophy of Friedrich Nietzsche and various dimensions of African American thought. Exploring the connections between these two unlikely interlocutors, the contributors focus on unmasking and understanding the root causes and racially inflected symptoms of various manifestations of cultural malaise. They contemplate the operative warrant for reconstituted conceptions of racial identity and recognize the existential and social recuperative potential of the will to power. In so doing, they simultaneously foster and exemplify a nuanced understanding of what both traditions regard as "the art of the cultural physician." The contributors connote daring scholarly attempts to explicate the ways in which clarifying the critical affinities between Nietzsche and various expressions of African American thought not only enriches our understanding of each, but also enhances our ability to realize the broader ends of advancing the prospects for social and psychological flourishing.
Navy Directory
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Navy Directory
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Navy Directory
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