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A Companion to François Truffaut “An unprecedented critical tribute to the director who, in France, wound up becoming the most controversial figure of the New Wave he helped found.” Raymond Bellour, Centre National de la Recherche Scientifique “This exciting collection breaks through the widely held critical view that Truffaut abandoned the iconoclasm of his early work for an academicism he had consistently railed against in his own film criticism. Indeed, if ‘fever’ and ‘fire’ were Truffaut’s most consistent motifs, the essays in this collection live up to his lifelong, burning passion for the cinema. Written by world-famous scholars, the essays exhaustively explore the the...
Here is the definitive story of one of the most celebrated filmmakers of our time, an intensely private individual who cultivated the public image of a man consumed by his craft. But as this absorbing biography shows, Truffaut's personal story—from which he drew extensively to create the characters and plots of his films—is itself an extraordinary human drama.
First in a series designed to situate and explain the films of French directors. A concise, accessible and original reading of Truffaut's films. A timely evaluation of the films of a popular director whose work features on most A-level French syllabuses and on the majority of University French Studies programmes both in the UK and the USA .
Surveying the European Union's evolution from the Rome Treaty to the present, The Emerging European Union captures the full story of Europe's ongoing integration, its changing identity, and its increasing importance as a global actor in the 21st Century. This text's concise but comprehensive overview of the history, institutions, and policies of the European Union lays out the major elements of the European integration and explain how the European Union functions. Emphasizing competing intergovernmental and supranational forces, The Emerging European Union explains the origins and future of the European Union as well as its political uniqueness.
From the 18th century, Oceania became the principal laboratory of raciology for scholars, voyagers, and colonizers alike. By juxtaposing encounters and theory, this magisterial book explores the semantics of human difference in all its emotional, intellectual, religious, and practical dimensions. The argument developed is subtle, engrossing, and gives the paradigm of 'race' its full use value. Foreign Bodies is a model of analysis and erudition from which historians of science and everyone interested in intercultural relations will greatly profit.
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Contains the proceedings of the international conference "Ordered Algebraic Structures and Related Topics", held in October 2015, at CIRM, Luminy, Marseilles. Papers cover topics in real analytic geometry, real algebra, and real algebraic geometry including complexity issues, model theory of various algebraic and differential structures, Witt equivalence of fields, and the moment problem.
“Truffaut fans will love this English translation of Gillain’s work drawing on the psychology and cinematography of the acclaimed filmmaker.” —Booklist For François Truffaut, the lost secret of cinematic art is in the ability to generate emotion and reveal repressed fantasies through cinematic representation. Available in English for the first time, Anne Gillain’s François Truffaut: The Lost Secret is considered by many to be the best book on the interpretation of Truffaut’s films. Taking a psycho-biographical approach, Gillain shows how Truffaut’s creative impulse was anchored in his personal experience of a traumatic childhood that left him lonely and emotionally deprived. In a series of brilliant, nuanced readings of each of his films, she demonstrates how involuntary memories arising from Truffaut’s childhood not only furnish a succession of motifs that are repeated from film to film, but also govern every aspect of his mise en scène and cinematic technique. “Brilliant . . . A delicious reexamination . . . that will make us want to sit down and take in all of Truffaut’s wonderful filmography at once.” —PopMatters
Analyse van de "Nouvelle Vague", een stroming in de Franse film uit de jaren 1960-1970, gezien vanuit Amerikaans standpunt