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Louis Porter
Taking its name from the German thinker Walter Benjamin's description of the aura, this exhibition looks at the contemporary manifestation of distance: the distance between things, ideas and ourselves. In an era of connectivity, why does everything seem so far apart? Drawing from libraries, archives and flea-markets in both Barcelona and London, Louis Porter has inverted, magnified, transposed and modified scientific and educational material in order to highlight the paradox of distance at the heart of modernity. Combining a variety of photographic techniques with found materials, the exhibition is divided into four sections, each addressing a point further away from the viewer. Palmistry manuals, documentation of solar eclipses, Victorian trigonometry exercises, encyclopaedic illustrations and popular scientific journals are simultaneously blended and fragmented. -- https://chiquitaroom.com/en/event/the-appearance-of-a-distance/
Louis Armstrong and Paul Whiteman
In Louis Armstrong and Paul Whiteman the jazz scholar Joshua Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practitioners—Whiteman, legendary in his day, and Armstrong, a legend ever since. Paul Whiteman’s fame was unmatched throughout the twenties. Bix Beiderbecke, Bing Crosby, and Jimmy and Tommy Dorsey honed their craft on his bandstand. Celebrated as the “King of Jazz” in 1930 in a Universal Studios feature film, Whiteman’s imperium has declined considerably since. The legend of Louis Armstrong, in contrast, grows ever more lustrous: for decades it has been Armstrong, not Whiteman, who has worn the king’s crown. This dual biography explores these diverging legacies in the context of race, commerce, and the history of early jazz. Early jazz, Berrett argues, was not a story of black innovators and white usurpers. In this book, a much richer, more complicated story emerges—a story of cross-influences, sidemen, sundry movers and shakers who were all part of a collective experience that transcended the category of race. In the world of early jazz, Berrett contends, kingdoms had no borders.
Experiencing Jazz
Experiencing Jazz, Second Edition, is an integrated textbook with online resources for jazz appreciation and history courses. Through readings, illustrations, timelines, listening guides, and a streaming audio library, it immerses the reader in a journey through the history of jazz, while placing the music within a larger cultural and historical context. Designed to introduce the novice to jazz, Experiencing Jazz describes the elements of music, and the characteristics and roles of different instruments. Prominent artists and styles from the roots of jazz to present day are relayed in a story-telling prose. This new edition features expanded coverage of women in jazz, the rise of jazz as a w...
Motor Coordination
The focus of this volume differs from what is suggested by the series title, for it is on muscle contraction and movement rather than on behavior. The lone overnight flight of a ruby-throated hummingbird across the Gulf of Mexico is a migratory behavior mediated through an incredibly lengthy, repetitive series of wing move ments, each movement being produced by a complex sequence of muscle contrac tions. It is significant that these same movements may be used to mediate other behaviors, and that these same muscle contractions, in different sequence, may be used to produce other movements. The immense journey of white-bearded gnus across the Serengeti plains to suitable calving grounds is lik...
The Birth of Bebop
The richest place in America's musical landscape is that fertile ground occupied by jazz. Scott DeVeaux takes a central chapter in the history of jazz—the birth of bebop—and shows how our contemporary ideas of this uniquely American art form flow from that pivotal moment. At the same time, he provides an extraordinary view of the United States in the decades just prior to the civil rights movement. DeVeaux begins with an examination of the Swing Era, focusing particularly on the position of African American musicians. He highlights the role played by tenor saxophonist Coleman Hawkins, a "progressive" committed to a vision in which black jazz musicians would find a place in the world comm...
My Wife's Family
Family history and genealogical information about the ancestors and descendants of Hazel May Guss who was born 14 September 1920 in Powhatan Co., Virhinia. She is a descendant of Charles Guss who was born ca. 1732 in Baden, Germany. Charles immigrated to America ca. 1750, married Mary Shunk 12 July 1761 and settled with his family in French Creek, Chester Co., Pennsylvania. Hazel married Noah Harrison Bradley 2 March 1946. They lived in Flat Rock, Virginia and were the parents of three children. Ancestors lived in Ohio and Germany. Descendants lived in Virginia, Ohio and elsewhere.
Experiencing Jazz
Experiencing Jazz, Third Edition is an integrated textbook, website, and audio anthology for jazz appreciation and history courses. Through readings, illustrations, timelines, listening guides, and a playlist of tracks and performances, Experiencing Jazz journeys through the history of jazz and places the music within larger cultural and historical contexts. Designed for the jazz novice, this textbook introduces the reader to prominent artists, covers the evolution of styles, and makes stylistic comparisons to current trends and developments. New to the third edition: Richard J. Lawn is joined by new co-author Justin G. Binek Expanded coverage of artists, particularly important vocalists and...
Wolcott Genealogy
Henry Wolcott (1578-1655), son of John Wolcot, married Elizabeth Saunders in 1606, and immigrated from England to Massachusetts, moving to Connecticut when the colony there was established, and dying in Windsor, Connecticut. Descendants and relatives lived in New England, New York, New Jersey, Pennsylvania, Ohio, Indiana, Michigan, Illinois, Iowa, Minnesota, Colorado and elsewhere. Includes history and photographs from some reunions of the Society of Descendants of Henry Wolcott.
Loft Jazz
The New York loft jazz scene of the 1970s was a pivotal period for uncompromising, artist-produced work. Faced with a flagging jazz economy, a group of young avant-garde improvisers chose to eschew the commercial sphere and develop alternative venues in the abandoned factories and warehouses of Lower Manhattan. Loft Jazz provides the first book-length study of this period, tracing its history amid a series of overlapping discourses surrounding collectivism, urban renewal, experimentalist aesthetics, underground archives, and the radical politics of self-determination.
