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Mountain midwife: "Kidnapped, blindfolded and driven to a desolate Rocky Mountain lodge--for midwife Rachel Devon it's the most terrifying birth she has ever attended to. But now that the baby's mother is dead, it's up to Rachel to get the child to safety. Much to Rachel's surprise, one of the kidnappers helps her escape. Cole McClure claims to be an undercover FBI agent, though Rachel doesn't trust him for a minute"--From the publisher.
Disembodiment examines self-destruction, self-injury, and radical self-endangerment as unconventional performances of resistance and refusal. Banu Bargu troubles the dominant approach that treats these acts as individual pathologies, cries for help, and signs of despair, taking the reader on an unsettling journey that passes through the suicides of enslaved Africans, the hunger strikes of woman suffragists, Gandhian fasting practices, Bouazizi's self-incineration, and the lip-sewing practices of migrants and asylum seekers to chart a bleak repertoire of contention performed by the oppressed. As a work in global critical theory whose normative compass is the suffering body, Disembodiment offers a bold materialist theory of corporeal agency that upholds the fundamental rebelliousness of the body.
Rousseau's Hand explores Rousseau's involvement in and promotion of craft in the context of the technological developments of the Enlightenment and his own European celebrity as a writer.
This book researches the origins of an enduring cluster of interrelated North American families first formed in colonial New France in the 17th Century. The narrative tracks the genealogy and history of the families Roberge, Boisvert and Boucher, all prominently found in the author's 11-generation family tree. The investigation delivers circumstantial evidence of mixed ethnogenesis in the formative years of what is now the Canadian province of Quebec. The founding patriarchs most prominently introduced in these pages appear to have been orphans of uncertain origin.
Althusser dissects the leading Enlightenment philosopher Althusser delivered these lectures on Rousseau's Discourse on the Origins of Inequality at the École normale supérieure in Paris in 1972. They are fascinating for two reasons. First, they gave rise to a new generation of Rousseau scholars, attentive not just to Rousseau's ideas, but also to those of his concepts that were buried beneath metaphors or fictional situations and characters. A new way of coming to terms with Rousseau's theoretical rigour, beneath his apparent reveries and sentimental flights of fancy, was here put to work. Second, we are now discovering that the 'late Althusser's' theses about aleatory materialism and the need to break with the strict determinism of theories of history in order to devise a new philosophy 'for Marx' were being worked out well before 1985 - in this reading of Rousseau dating from twelve years earlier, which introduces into Rousseau's text the ideas of the void, the accident, the take, and the necessity of contingency.
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Sociologies of Religion: National Traditions presents fourteen histories of the sociological study of religion in a diverse set of nations. Each of the histories is newly written by author who are uniquely situated to tell narrate the story of the field in their countries. They give us the stories behind major personages, theoretical traditions, seminal works, research institutes, and professional associations. The histories trace the various ways the field was established in different academic and religious contexts and the trajectories it took in emerging as a scientific specialty.
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.