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Central to the idea of a perfect society is the idea that communities must be strong and bound together with shared ideologies. However, while this may be true, rarely are the individuals that comprise a community given primacy of place as central to a strong communal theory. This volume moves away from the dominant, current macro-level theorising on the subject of identity and its relationship to and with globalising trends, focusing instead on the individual’s relationship with utopia so as to offer new interpretive approaches for engaging with and examining utopian individuality. Interdisciplinary in scope and bringing together work from around the world, The Individual and Utopia enqui...
The love of Penelope and Ulysses is undying. Penelope and Ulysses explores the historical and yet contemporary journey into the life and struggles of Penelope, a woman who refuses to be dispirited or defeated. Hers is a strange, complex, and multifaceted world. Her life, surrounded by war, is inextricably shaped by the decisions that men have made for her. Even so, Penelope refuses to be a spectator—a pawn in men’s schemes. She rides the waves of turbulence and danger, surviving on her wit, guile, and pure intelligence. She skillfully weaves her seductive plots to ultimately control the men who would control her. All the while, she schemes, always working toward her escape and eventual freedom. Penelope is well-read in the philosophies of her world, well trained in battle, and keeps her own counsel. From a life of solitude, she explores the most turbulent adventure of all—the quest for self-actualization, the ownership of her self.
Everyone is aware of the distinction between right and wrong, between what is morally good and morally bad. The distinction is made by people every day, in the home and in the school, in business and labor, in courts and police actions, in politics and in government. And yet, the attitude of many persons toward human conduct is largely amoral. People know intuitively ‘that’ some actions are morally good and others morally bad, but they are not sure ‘why’ they are so. It is therefore necessary to reaffirm the principles which underlie morality. Ethics, or moral philosophy, seeks to lay bare the natural foundations of correct living, to uncover the principles which govern morality and make individual actions to be right or wrong, and thus develop the science of right conduct.
In Performing Emotions, Peta Tait's central argument is that performing emotions in realism is also performing gender identity. This study integrates scholarship on realist drama, theatre and approaches to acting, with interdisciplinary theories of emotion, phenomenology and gender theory. With chapters devoted to masculinity and femininity specifically, as well as to emotions generally, it investigates social beliefs about emotions through Chekhov's four major plays in translation, and English language commentaries on Constantin Stanislavski's direction (of the play's first productions) and his approaches to acting, and Olga Knipper's acting of the central women characters. Tait demonstrates how theatrical emotions are predicated on embodied social performances and create cultural spaces of emotions. Performing Emotions investigates how sexual difference impacts on the representations of emotions. The book develops an accumulative analysis of the meanings of emotions in twentieth century realist drama, theatre and acting.
Recent global security threats, economic instability, and political uncertainty have placed great scrutiny on the requirements for U.S. citizenship. The stipulation of literacy has long been one of these criteria. In Producing Good Citizens, Amy J. Wan examines the historic roots of this phenomenon, looking specifically to the period just before World War I, up until the Great Depression. During this time, the United States witnessed a similar anxiety over the influx of immigrants, economic uncertainty, and global political tensions. Early on, educators bore the brunt of literacy training, while also being charged with producing the right kind of citizens by imparting civic responsibility an...
"The tradition of Russian tragifarce can be characterized by its strong links to Russian political and cultural history and by its significant role in the development of Russian dramatic literature and theater practice. The book argues that the dualistic character of Russian tragifarce, which is close in spirit and philosophy to Bakhtin's understanding of the medieval carnival, embodies the ambivalent spirit of Russian culture and politics. The book further argues that the tragifarcical perception of the world can be seen as a national characteristic of the self-doubting and ironic Russian sensibility under the influence of a repressive political regime."--BOOK JACKET.
An anthology of key theoretical writings by the major representatives of the schools and movements of European literature. Each chapter in this book is devoted to one particular school of movement from within a body of literature, from romanticism, realism and modernism through to the literature of political engagement of the 1920s and 1930s.
The Edwardian period experienced a particularly vibrant periodical culture, with phenomenal growth in the numbers of titles published that were either aimed specifically at women, or else saw women as a key section of their readership or contributor group. It was an era of political ferment in which a number of 'progressive' traditions were formulated, shaped or abandoned, including socialism, feminism, modernism, empire politics, trade unionism and welfarism. Organized around some of the central themes of political thought and utopian thinking, this impressive collection gathers together classic articles from key periodicals. The set presents a comprehensive sourcebook of readings on Edwardian/Progressive era feminist thought, exploring the intervention of the radical public intellectuals working in these traditions in North America and the UK from 1900-1918.
This is an extraordinarily important and unique book that is essential for playwrights, theater enthusiasm and courses on drama.