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A Jew in the Public Arena
After winning an international audience with his novel Children of the Ghetto, Israel Zangwill went on to write numerous short stories, four additional novels, and several plays, including The Melting Pot. Author Meri-Jane Rochelson, a noted expert on Zangwill’s work, examines his career from its beginnings in the 1890s to the performance of his last play, We Moderns, in 1924, to trace how Zangwill became the best-known Jewish writer in Britain and America and a leading spokesperson on Jewish affairs throughout the world. In A Jew in the Public Arena, Rochelson examines Zangwill’s published writings alongside a wealth of primary materials, including letters, diaries, manuscripts, press c...
From the Ghetto to the Melting Pot
In his historic play The Melting Pot, Israel Zangwill (1864-1926) introduced into our discourse a potent metaphor that for nearly a hundred years has served as a key definition of the United States. The play, enthusiastically espoused by President Theodore Roosevelt, to whom it was dedicated, offered a grand vision of America as a dynamic process of ethnic and racial amalgamation. By his own admission, The Melting Pot grew out of Zangwill's intense involvement in issues of Jewish immigration and resettlement and was grounded in his interpretation of Jewish history. Zangwill, Anglo Jewry's most renowned writer, began writing seriously for the stage in the late 1890s. At the time, the negative...
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Israel Zangwill
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Modern Electrodynamics
An engaging writing style and a strong focus on the physics make this graduate-level textbook a must-have for electromagnetism students.
Twenty Years of My Life
"The twenty years of my life which I here present to readers are the twenty years which I spent at 32, Addison Mansions, Kensington, during which I was in constant intercourse with most of the best-known writers of the generation." - Douglas Brooke Wheelton Sladen
The Racialization of the Occult in Nineteenth Century British Literature
This book focuses on the representation of the practitioner of the occult in mid to late nineteenth-century British literature. The occult was a source of emotional support and scientific curiosity during this time of change and uncertainty because it seemed to offer answers to both spiritual and scientific questions through measurable, albeit unconventional, means. However, the occult was also viewed as a threat to British society, an assault on it values, and a fundamental danger to emerging scientific enterprise. By examining the ways in which the occult and its practitioners are represented in British novels from 1850-1900, this book traces the ways that the novels commented on, participated in, and contributed to the racialization of the occult that occurred throughout the nineteenth century in Britain. The representations of the occult characters in these novels interpreted and transmitted the social, political, economic, and scientific discourses about race in the nineteenth century to the reading public, as well as participating in the discourse surrounding race and the occult.
