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Around Chigusa
An in-depth look at the dynamic cultural world of tea in Japan during its formative period Around Chigusa investigates the cultural and artistic milieu in which a humble jar of Chinese origin dating to the thirteenth or fourteenth century became Chigusa, a revered, named object in the practice of formalized tea presentation (chanoyu) in sixteenth-century Japan. This tea-leaf storage jar lies at the nexus of interlocking personal networks, cultural values, and aesthetic idioms in the practice and appreciation of tea, poetry, painting, calligraphy, and Noh theater during this formative period of tea culture. The book’s essays set tea in dialogue with other cultural practices, revealing larger cultural paradigms that informed the production, circulation, and reception of the artifacts used and displayed in tea. Key themes include the centrality of tea to the social life of and interaction among warriors, merchants, and the courtly elite; the multifaceted relationship between things wa (Japanese) and kan (Chinese) and between tea and poetry; the rise of new formats for display of the visual and calligraphic arts; and collecting and display as an expression of political power.
Seto and Mino Ceramics
Late nineteenth century, the objects illustrate the long history of ceramic production within the Seto-Mino region.
Ceramics and Modernity in Japan
Ceramics and Modernity in Japan offers a set of critical perspectives on the creation, patronage, circulation, and preservation of ceramics during Japan’s most dramatic period of modernization, the 1860s to 1960s. As in other parts of the world, ceramics in modern Japan developed along the three ontological trajectories of art, craft, and design. Yet, it is widely believed that no other modern nation was engaged with ceramics as much as Japan—a "potter’s paradise"—in terms of creation, exhibition, and discourse. This book explores how Japanese ceramics came to achieve such a status and why they were such significant forms of cultural production. Its medium-specific focus encourages e...
Vietnamese Ceramics
Vietnamese potters combined their own native genius with elements derived from neighboring cultures, including Cambodia, Champa, India, and especially China. Yet their decorative motifs, glaze types, production methods, and perhaps even attitudes toward potting differed distinctly from those of China. Using the excellent clay of the Red River valley--smooth, homogeneous, gray-white--they created the most sophisticated ceramic tradition of Southeast Asia. The most definitive study on Vietnamese ceramics to date, this volume is the collaborative effort of experts from around the world, including Vietnam, Japan, England, France, and the United States. They discuss the history and development of...
Isamu Noguchi and Modern Japanese Ceramics
This volume presents the ceramic oeuvre of Isamu Noguchi and includes other major ceramic artists from postwar Japan, analyzing the conflict between modernity and tradition and the search for cultural identity.
A Basketmaker in Rural Japan
Born in 1915, Hiroshima Kazuo is a professional basketmaker in the Hinokage region on the Japanese island of Kyushu. This book celebrates the life of this master bamboo craftsman and integrates the story of his career with a chronicle of life and times in a now-rare mountain culture. Photographs illustrate scenic views of Hinokage, tools and materials essential to the professional basketmaker and a comprehensive collection of Hiroshima's baskets.
Temple Potters of Puri
This book is the first to describe in detail a community of potters working for the Jagannatha Temple in Puri. As a pilgrimage centre of national importance, the temple requires earthenware in great quantities for the creation and distribution of the sacred food, an integral feature of daily ritual and pilgrimage. This study observes the potters' technical prowess, sustained by devotion, and the accompanying DVD shows the artisans at work, demonstrating their skills and products. ,
Chigusa and the Art of Tea
This innovative book narrates the history of a single object--a tea-leaf storage jar created in southern China during the thirteenth or fourteenth centuries--and describes how its role changed after it was imported to Japan and passed from owner to owner there. In Japan, where the jar was in constant use for more than seven hundred years, it was transformed from a humble vessel into a celebrated object used in chanoyu (often translated in English as tea ceremony), renowned for its aesthetic and functional qualities, and awarded the name Chigusa. Few extant tea utensils possess the quantity and quality of the accessories associated with Chigusa, material that enables modern scholars and tea aficionados to trace the jar's evolving history of ownership and appreciation. Tea diaries indicate that the lavish accessories--the silk net bag, cover, and cords--that still accompany the jar were prepared in the early sixteenth century by its first recorded owner.
Gods of Angkor
A remarkable group of seven bronze figures was unearthed in Kampong Cham province, Cambodia, in 2006. This book celebrates the collaborative efforts of the Cambodian and US museums to restore and interpret these important images, and also the accomplishments of Khmer bronze casters from the fourth century BCE to the fourteenth century CE.
The Artist as Professional in Japan
"The book also addresses issues of canon formation: by what complex process are some artists and objects singled out to communicate rhetorical or aesthetic meaning while others lapse into the background."--BOOK JACKET.
