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This is the first exploration of women's campaigns to gain equal rights to political participation in China. The dynamic and successful struggle for suffrage rights waged by Chinese women activists through the first half of the twentieth century challenged fundamental and centuries-old principles of political power. By demanding a public political voice for women, the activists promoted new conceptions of democratic representation for the entire political structure, not simply for women. Their movement created the space in which gendered codes of virtue would be radically transformed for both men and women.
A terrifying trio of Psychological Thrillers from the bestselling authors, Mark Edwards and Louise Voss. ‘I was gripped all the way.’ Peter James
In the early twentieth century China’s most famous commercial artists promoted new cultural and civic values through sketches of idealized modern women in journals, newspapers, and compendia called One Hundred Illustrated Beauties. This genre drew upon a centuries-old tradition of books featuring illustrations of women who embodied virtue, desirability, and Chinese cultural values, and changes in it reveal the foundational value shifts that would bring forth a democratic citizenry in the post-imperial era. The illustrations presented ordinary readers with tantalizing visions of the modern lifestyles that were imagined to accompany Republican China’s new civic consciousness. Citizens of B...
Celebrity is a pervasive aspect of everyday life and a growing field of academic inquiry. This is the first book-length exploration of celebrity culture in the People's Republic of China and its interaction with international norms of celebrity production. The book comprises case studies from popular culture (film, music, dance, literature, internet); official culture (military, political, and moral exemplars) and business celebrities. This breadth illuminates the ways capitalism and communism converge in the elevation of particular individuals to fame in contemporary China. The book will interest scholars and students in media, popular culture and China studies. Journalists may find the book useful for their analysis of famous figures in China and people working in creative industries area may appreciate these insights into 'image management' in China.--Louise Edwards is professor of modern China studies at the University of Hong Kong. -Elaine Jeffreys is a senior lecturer in China studies at the University of Technology, Sydney.--
Explores China's most famous women warriors and wartime spies, shedding new light on the relationship between gender and militarisation.
Men and Women in Qing China is an analysis of Chinese prescriptions of gender as represented in Cao Xueqin's famous eighteenth century Chinese novel of manners, The Red Chamber Dream or The Story of the Stone. Drawing on feminist literary critical methods it examines Qing notions of masculinity and femininity, including themes such as bisexuality, motherhood, virginity and purity, and gender and power. Its central aim is to challenge the common assumption that the novel represents some form of early Chinese feminism by examining the text in conjunction with historical data. The book will be especially important to those interested in issues of gender in China, the history of Chinese literary criticism and the application of feminist theory to the Asian text.
"At 11.47 on July 25, 1978, Louise Brown was the first person ever to be born through science rather than as the result of two people having sex. The birth was hailed as a "miracle" by the world's media, making her instantly famous. Her birth created shockwaves for the church, politicians and the medical profession. Louise grew up at the centre of the debate about the morality of In Vitro Fertilisation (IVF) while also being a beacon of hope to millions of childless couples throughout the world. For the first time Louise tells the story of her world changing birth and its impact on her life"--Jacket.
From the bestselling author of The House Guest comes a chilling story set deep in the woods... With his marriage over and his career in freefall, journalist Tom decides to reconnect with his fourteen-year-old daughter, Frankie. Desperate to spend precious time together now that they live an ocean apart, he brings her to Hollow Falls, a cabin resort deep in the woods of Maine. From the outset there's something a little eerie about the place--strange whispers in the trees, windchimes echoing through the forest--but when Tom meets true-crime podcasters David and Connie, he receives a chilling warning. Hollow Falls has a gruesome history: twenty years ago this week, a double slaying shut down the resort. The crime was never solved, and now the woods are overrun with murder-obsessed tourists looking to mark the grim anniversary. It's clear that there's something deeply disturbing going on at Hollow Falls. And as Tom's dream trip turns into a nightmare, he and Frankie are faced with a choice: uncover the truth, or get out while they still can.
The first child was taken from her house. The second from his mother's car. The third from her own bedroom... When Helen and Sean Philips go out for the evening, leaving their teenage daughter babysitting little Frankie, they have no idea that they are about to face every parent's greatest fear. Detective Inspector Patrick Lennon is hopeful that the three children who have been abducted in this patch of south-west London will be returned safe and well. But when a body is found in a local park, Lennon realizes that time is running out--and that nothing in this case is as it seems.... Blending police procedural with psychological thriller, From the Cradle will have every parent checking that their children are safe in their beds...then checking again. From the Cradle is the first book in the Detective Lennon Thriller Series.
In the early twentieth century China?s most famous commercial artists promoted new cultural and civic values through sketches of idealized modern women in journals, newspapers, and compendia called One Hundred Illustrated Beauties. This genre drew upon a centuries-old tradition of books featuring illustrations of women who embodied virtue, desirability, and Chinese cultural values, and changes in it reveal the foundational value shifts that would bring forth a democratic citizenry in the post-imperial era. The illustrations presented ordinary readers with tantalizing visions of the modern lifestyles that were imagined to accompany Republican China?s new civic consciousness. Citizens of Beauty is the first book to explore the One Hundred Illustrated Beauties in order to compare social ideals during China?s shift from imperial to Republican times. The book contextualizes the social and political significance of the aestheticized female body in a rapidly changing genre, showing how progressive commercial artists used images of women to promote a vision of Chinese modernity that was democratic, mobile, autonomous, and free from the crippling hierarchies and cultural norms of old China.